Jungle Hop

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Album Information

Total Tracks: 25   Total Length: 60:48

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Dan Epstein

eMusic Contributor

10.14.09
Don And Dewey, Jungle Hop
2006 | Label: Fantasy Records

If you thought Little Richard was the only pompadour-wearin' maniac recording for Speciality in the late '50s, it's time to get yourself an earful of Don Harris and Dewey Terry. The Pasadena, California-based duo not only sported some of the tallest, greasiest pomps ever seen on the West Coast, but they also waxed some of the wildest R&B sides ever heard. Their songs have been covered by everyone from the Premiers and Neil Young ("Farmer John") to the Righteous Brothers ("Justine") and, er, Donny and Marie ("I'm Leaving It All Up to You), but the originals — all included here — are still definitive. Aficionados of primal rock & roll gibberish will flip their wig hats over "Jungle Hop," "Baby Gotta Party," "Bim Bam" and "Koko Joe," the latter of which was co-written by a young Salvatore "Sonny" Bono. And don't miss the mush-mouthed "Mammer Jammer," one of the great lost soul classics of the '60s.

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Little Richard Who?

dafisk

Although similar in style to Little Richard, Don & Dewey are a lot more interesting composition-wise. Check out the guitar work on Get Your Hat.

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Man, is this stuff great! So why don’t you already have this in your collection? Perhaps you haven’t heard of it yet, or perhaps you’ve just heard of Don & Dewey — a pair of high school friends who started performing as a duo after playing in the Squires together — who recorded many sides for Specialty Records in the late 50s. They never had hits on their own, but they wrote and recorded songs that others brought to the charts, including the Sonny Bono-penned “Koko Joe,” and the originals “Big Boy Pete,” “Jungle Hop,” and the perennial garage rock classic “Farmer John.” That alone suggests that they were first-rate songwriters, but their talents run deep; these may be the standouts, but their other singles and the songs not issued until this 1991 collection are uniformly excellent. And that’s just one side of the group. Just as importantly, they were dynamite musicians, rocking hard (Dewey Terry played a mean guitar, and Don “Sugarcane” Harris wasn’t a slouch himself on the instrument, though his violin talents weren’t fully appreciated here.) Supported by the Specialty house band (the same band that played on Little Richard’s records) and singing delirious tag-team vocals make this sound insanely alive with life. There isn’t a bad track here; and even if they didn’t have hits and are still a cult item, they left behind a hell of a legacy, as evidenced by this necessary disc. – Stephen Thomas Erlewine

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