Bug Music

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Bug Music album cover
Album Information

Total Tracks: 16   Total Length: 51:06

eMusic Features

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Bill Frisell’s Pan-Americana

By Kevin Whitehead, eMusic Contributor

Bill Frisell, the singular and much admired/emulated jazz guitarist, is a case study in uncategorizability. As he's often said, in one form or another: First I was tagged as the ECM guy, then the downtown guy, then the Americana guy. In reality, those were all always the same guy. As early as the 1982 recordings for his debut on ECM, In Line - solos, overdubbed solos and duets with bassist Arild Andersen - there was this odd… more »

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The Compleat Uri Caine

By Kevin Whitehead, eMusic Contributor

Uri Caine personifies the postmodern musical impulse; he's recorded straight-ahead and not so straightahead jazz, funk, klezmer, Brazilian pop, turn-of-20th-century Tin Pan Alley songs and breathtakingly novel and diverse arrangements of 18th and 19th Century classics. Depending on the setting, he'll play grand piano, electric piano, their ancestor the pianoforte (as when wittily improvising on Beethoven's Diabelli Variations), harpsichord, organ, synthesizers - pretty much anything involving black and white keys. Most anyone else trying all… more »

They Say All Music Guide

Bug Music is a tribute to the music of the Raymond Scott Quintette, the John Kirby Sextet and Duke Ellington, headed by the remarkably versatile clarinetist Don Byron. Raymond Scott’s legendary compositions feature eccentric song titles (including, on this set, “Siberian Sleighride,” “Tobacco Auctioneer” and “War Dance for Wooden Indians”), complex and thoroughly composed arrangements (all of which were originally memorized rather than being written out) and unique melodies. Kirby’s brand of swing, which is quite complementary to Scott’s novelties, often utilized themes from classical music and had solos, but were also tightly arranged (even “St. Louis Blues” and “Royal Garden Blues”). The CD begins and ends with four Ellington/Strayhorn pieces that fit well into the idiom (particularly “The Dicty Glide” and “Cotton Club Stomp”). In addition to Byron, the key players on the project include altoist Steve Wilson (one of the best of the younger swing stylists), trombonist Craig Harris and pianist Uri Caine, in addition to four other horns and several rhythm sections. Other than a silly rendition of Ellington’s “Blue Bubbles” and an adventurous interpretation of “Snibor,” the selections are played with respect and great understanding of the somewhat forgotten style. None of the modern musicians sound as if swing were only their second language, making the continually surprising set a major success. – Scott Yanow

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