Inna City Pressure

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Inna City Pressure album cover
Album Information

Total Tracks: 17   Total Length: 68:30

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Incredible!

circle of crows

Dub, reggae, dancehall, jungle, what have you mash up in this brilliant release by an underground king.

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Classic Underground Genius!!!

junglist7-11

I first discovered dr.israel on a trumystic records 1997 compilation cd in a used record store... I've been hounding his work ever since and "Inna City Pressure" is some of his best! - Dj Jungle Junky

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Classic

believe

Dub, hip-hop, reggae, jungle and even a little bit of punk combine to make a classic album. There is nothing else quite like it. Download immediately.

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great stuff

slinkp

The title track, plus the bastard child of jungle/dancehall/Sabbath that follows it, have stuck in my mind since I first heard them. The good Doctor is a great performer too, both solo and with a band. Haven't seen him lately, wonder what he's up to?

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They Say All Music Guide

In a rational world, this irresistible fusion of reggae, dub, hip-hop and jungle on Inna City Pressure would be on every radio station’s play list and booming out of every car stereo. Dr. Israel has one of the best voices around, a rich, warm baritone that can chant and declaim with religious fervor (“Inna City”) or ring out tunefully with anthemic vigor (“The Doctor Vs. The Wizard”). On top of that, he’s a fine songwriter, one capable of taking tired subject matter (the dangers of ghetto life, the blandishments of Babylon, racial unity) and investing them with fresh life and energy. He spends much of his time here in jungle territory, riding hyperkinetic rhythms and bottomless basslines with the gentle assurance of the best reggae singers, but there are wonderful stylistic digressions, including a Black Sabbath cover and a collaboration with ska/punk superstars Rancid. The Willie Williams classic “Armagideon Time” gets a long-overdue drum’n'bass treatment, and there are several fine dub versions. “Life in the Ghetto” is lyrically obvious and musically tedious, but it’s the only misstep on this remarkable album. This is one of the best CDs of 1998. [This version of the album contains bonus material.] – Rick Anderson

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