Patterns of War

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Patterns of War album cover
Album Information

Total Tracks: 12   Total Length: 49:41

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played out dub

dubsurvivor

for the most boring dub while shoving propaganda and lies down your throat. enjoy. check out bonobo or ..well anything else.

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Modern Dub-Style

believe

This album deserves your attention. While not as sonically diverse as 'Inna City Pressure', there are still many different styles explored here, albeit in a more refined and cohesive way. The production on this album seems to be a step forward from previous works...everything is where it should be. Vocals from Lady K and Chemda are gorgeous. The lyrics, as always, are extremely poignant and thoughtful. Start with the first track (my current favorite) and go from there. While not every track is mind-blowing, the majority of songs are well written and worth downloading from eMusic. As on previous albums we're treated to three dubs at the end of the disc...a chance to hear the music unencumbered by the sometimes too frequent vocal work. Someone out there give this project a good website! MySpace users check out: www.myspace.com/dreadtoneinternational

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They Say All Music Guide

It’s been three years of wandering in the commercial desert since Dr. Israel’s last album, and now he’s back, bursting with righteous anger, multicultural inspiration, and rhythmic power. While he hasn’t left experimental jungle behind completely (check out the remastered and extended reissue of his 1999 classic Inna City Pressure, also released on ROIR in 2005), Patterns of War stays mostly in a slower, darker reggae groove — old-school in a sense, but forward-looking at the same time. Longstanding fans will recognize those signature piano stabs that surface on almost every track, but guest vocalists Chemda and Lady K will come as something of a surprise. They lend a welcome added layer to Dr. Israel’s sonic mix, especially on the Arabic-flavored drum’n'bass of “Tetze (Get Out)” and the Middle Eastern hip-hop fusion of “One.” Elsewhere the beats are straight-up reggae: “Counting out Stones” is a fine roots number complemented by a deep and smoky dub version, while “Interference” is a nice punky reggae anthem featuring the brilliant Oregonian ensemble Systemwide (house band of the lamented BSI label). “Cover Me” is a beautifully constructed groove that doesn’t really go anywhere, and “Sensimilla” doesn’t say anything about the herb that hasn’t been said a million times before, but even the least compelling material on this album is loads of good, heavyweight fun. Highly recommended. – Rick Anderson

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