Southern Rock Opera

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Total Tracks: 20   Total Length: 93:56

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Peter Blackstock

eMusic Contributor

11.16.10
Filtering '70s hallmarks through their own post-classic-rock perspective
2002 | Label: Lost Highway Records

Few albums serve as such a distinct dividing-line for a band's career as Southern Rock Opera does for the Drive-By Truckers. Prior to its release, they were a minor-league bar-band from Athens, Georgia, with a small handful of records that only hinted at their potential. After it surfaced in 2001, they became the standard-bearer for an indie-centric recasting of classic Southern rock.

Much of the material here revolves around Lynyrd Skynrd, from the blazing "Ronnie And Neil" (as in Van Zant and Young), to the anthemic "Let There Be Rock" (with its defining couplet, "Well I never saw Lynyrd Skynrd, but I sure saw AC/DC"), to the concluding, ill-fated air-disaster tryptich of "Shut Up And Get on the Plane," "Greenville To Baton Rouge" and "Angels And Fuselage." Along the way, band leader Patterson Hood waxes poetic about "The Three Great Alabama Icons" (with Van Zant joined by Bear Bryant and George Wallace) and lays plain the harsh duality of his Alabama upbringing in "The Southern Thing." A few soulful vocal leads by guitarist Mike Cooley — notably "72 (This Highway's Mean)," "Zip City" and "Women Without Whiskey" — provide a welcome counterpoint and help keep the ball rolling through the 20-song… read more »

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They Say All Music Guide

Don’t be deterred by the rather misleading title. Not a rock opera in the sense of Tommy or Jesus Christ Superstar, this sprawling double disc is more akin to a song cycle about Southern rock, in particular Lynyrd Skynyrd. Almost six years in the making, the Drive-By Truckers have created a startlingly intelligent work that proudly stands with the best music of their obvious inspiration. Largely written and conceived by lead trucker Patterson Hood (son of famed Muscle Shoals bassist David Hood), who sings the majority of the songs in a torn, ragged, but emotionally charged twangy voice somewhere between Tom Petty and Rod Stewart, these 20 literate tracks encapsulate a remarkably objective look at what Hood calls “the duality of the South.” Rocking with a lean hardness, the story unfolds over 90 minutes, but the savvy lyrical observations never overburden the songs’ clenched grip. While bands like the similarly styled Bottle Rockets have worked this territory before, never has a group created an opus that’s thematically tied to this genre while objectively exploring its conceptual limitations. The two discs are divided into Acts I and II; the first sets the stage by exploring aspects of an unnamed Southern teen’s background growing up as a music fan in an environment where sports stars, not rock stars, were idolized. The second follows him as he joins his Skynyrd-styled dream band, tours the world, and eventually crashes to his death in the same sort of airplane accident that claimed his heroes. The Drive-By Truckers proudly charge through these songs with their three guitars, grinding and soloing with a swampy intensity recalling a grittier, less commercially viable early version of Skynyrd. A potentially dodgy concept that’s redeemed by magnificent songwriting, passionate singing, and ruggedly confident but far from over-the-top playing, Southern Rock Opera should be required listening not only for fans of the genre, but anyone interested in the history of ’70s rock, or even the history of the South in that decade. More the story of Hood than Skynyrd, this is thought-provoking music that also slashes, burns, and kicks out the jams. Its narrative comes to life through these songs of alienation, excess, and, ultimately, salvation, as seen through the eyes of someone who lived and understands it better than most. – Hal Horowitz

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