Come On: The Complete Imperial Recordings

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Come On: The Complete Imperial Recordings album cover
Album Information

Total Tracks: 17   Total Length: 43:34

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Fabulous

OsmondB

Is there a more perfect example of primo New Orleans R&B out there than this set? I doubt it. Earl's voice is warm and soulful, his guitar biting and his songs agreeably rueful. The horns are artfully arranged, and the drummer is a funky poet. I saw Earl King at the New Orleans Jazz and Blues Festival in 1980 and he still had it then. Wish he'd been more successful...

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New Orleans R&B at its best

BasilC

I love New Orleans R&B, and my softest spot has long been reserved for Earl King. Interesting lyrics, always very tuneful, idiosyncratic guitar, the usual backing musicians. I waited 15 years for this CD to appear and supplement the few LP tracks I had from his Imperial sessions. If I'd known that emusic would release it, I would have waited a few more months instead of buying an expensive imported CD. But it was still worth it!

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They Say All Music Guide

Come On: The Complete Imperial Recordings chronicles guitarist Earl King’s brief affiliation with the label between 1960 and 1962. New Orleans R&B was at its most productive in that era, with gems being cranked out one after another. The man at the helm of those recordings was producer Dave Bartholomew. In between cutting monumental sides for the label with Fats Domino, Bartholomew hooked up with King and the results speak for themselves on these 17 tracks. Assisted by the cream of Crescent City musicians and vocalists, including James Booker, Edward “Kidd” Jordan, Willie Tee, and Benny Spellman, King recorded his paramount singles “Come On, Pts. 1 & 2,” “Always a First Time,” and “Trick Bag.” The only drawback to this compilation is the omission of King’s first hit, “Those Lonely, Lonely Nights,” which was recorded for Ace Records a few years prior to his association with Imperial. Nevertheless, these tracks (including six unreleased cuts) undoubtedly stand as some of the finest R&B to come out of New Orleans. – Al Campbell

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