Eddy Current Suppression Ring’s second album is essentially of a piece with their self-titled debut, meaning here are ten more blasts of direct, primitive, tuneful punk from the bowels of Melbourne. Rough and scrappy but too giddily enthusiastic to come off as snotty or sneering, ECSR tap in to the primal, fun-loving energy of frill-free rock & roll, a spirit that feels every bit as immediate and relevant as it is familiar and timeless. Their sound may be derivative (of any number of past clatter-masters — perhaps most notably the Stooges, but also Wire, the Fall, the Feelies, and on and on), but it’s not formulaic, and certainly not monotonous: Primary Colours employs a fair amount of rhythmic and textural variety within its basic template of straightforward lock-grooves and minimalist guitar shredding. So for every all-out skronkfest like “Sunday’s Coming” and “Which Way to Go,” which maintain a fairly steady barrage of thick guitar noise, there’s a sleeker, spindlier cut like “Memory Lane” or the bored anti-media rant “Colour Television” (“Another Wheel of Fortune/Another million tortured”) to keep their squalls in check for just the right moment of release. Punk love song “Wrapped Up” is bouncy and infectious with a strong, slinky riff, the Feelies-esque instrumental “That’s Inside of Me” finds a herky-jerky funk groove, and “We’ll Be Turned On” loosens up even further with some sloppy organ pounding and a righteously bashed-out rhythm track. That song also features a particularly goofy turn from frontman Brendan Suppression who, with his affable Aussie twang and unpretentious reflections on ordinary stuff like relationships and modern life (or, in this case, sex and television), comes across like a far more relatable version of Mark E. Smith. – K. Ross Hoffman