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Jazzin' The Blues

Rate It! Avg: 3.5 (25 ratings)
Jazzin' The Blues album cover
01
Jazzin' The Blues
6:08 $0.99
02
Free Ride
5:05 $0.99
03
God Did It
4:48 $0.99
04
New Man
5:42 $0.99
05
More Than Enough
3:55 $0.99
06
Brother Luke
3:56 $0.99
07
Hunk o'da Funk
3:25 $0.99
08
Big Bad Bottom
4:50 $0.99
09
Here's z Guitars
5:53 $0.99
10
Keys To The Kingdom
8:20 $0.99
11
Frankenstein
9:42 $0.99
Album Information

Total Tracks: 11   Total Length: 61:44

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Great Jazz Mix

cshannon1077

This album is amazing! You'll hear all kinds of stuff, and it will tickle yours ears great! I love it!! More please!!!

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Everything Must Change

JazzFusion

It takes courage to change the way that Edgar Winter has - Jazzin the Blues is different, I like the original Frankenstein but I admire the change and no this site does not suck nor is it stealing our money...............

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Evolution

Shelley

It's nice to see an artist, whether successful or not, take the risk of changing their style, experiment with a different musical genres. How otherwise does any artist grow? I'm sure, after playing Frankenstein in concert for many years, it was a lot like the musical version of the missionary position for Edgar Winter. Obviously he wanted to try something new. How great of emusic to put stuff up here that's a little off of the beaten track!

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They Say All Music Guide

This set of Edgar Winter’s jazzy remakes of older tunes and some new ones is all over the place. With a cast that includes guitarists Robben Ford and Hiram Bullock, Steve Lukather, and Michael Hakes, and bassists like Will Lee, Mark Meadows, and Tom Lilly, as well as trumpeter Lee Thornburg, one gets exactly what one expects: a slick, groove-infested ride through Winter’s past and present. Winter himself plays alto saxophone, keyboard and sings in places. He also acts as the album’s producer, which is not a good thing. Other than the Hammond B3, the keyboards sound like bad 1980′s sci-fi soundtrack-reject mixes, and the arrangements on some of the tunes border on the laughable — particularly the remakes of “Free Ride (Smooth”) -yes, as in a smooth jazz version, and “Frankenstein (Frankie Swing)” that must have been an afterthought because it feels so forced and false. – Thom Jurek

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