Losing Sleep

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Losing Sleep album cover
Album Information
EDITOR'S PICK

Total Tracks: 12   Total Length: 42:29

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Douglas Wolk

eMusic Contributor

Douglas Wolk writes about pop music and comic books for Time, the New York Times, Rolling Stone, Wired and elsewhere. He's the author of Reading Comics: How Gra...more »

03.09.11
A celebration snatched from the jaws of disaster
2011 | Label: Heavenly / Cooperative Music USA / Downtown Records

Without knowing its backstory, you might figure that Losing Sleep is the sort of self-celebrating look backward that ex-punks of Edwyn Collins's generation occasionally release: the former Orange Juice frontman, now the godfather of a certain strain of indie-pop, joining forces with a bunch of artists he inspired (Johnny Marr, Aztec Camera's Roddy Frame, half of Franz Ferdinand) to revisit the territory of his three-decade career. It's got the sound of a totally solid Collins album — taut, twitchy arrangements with as much early Motown as early post-punk in their genes, offsetting Collins's shaky, earnest croon.

The story of the album, though, makes it clear that it's a celebration snatched from the jaws of disaster. In 2005, cerebral hemorrhages left Collins bereft of language and unable to walk. He's had to re-learn how to do everything, including writing and talking; his singing voice is largely intact, but it must have taken an astonishing effort to get back there (it helps that a lot of its appeal in the first place was being a little bit off). If you pay a bit of attention to the lyrics on Losing Sleep, it's clear that a lot of them are about the artist assessing… read more »

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Triumph

tkdcoach

There is nothing over the hill about this record. It is triumph incarnate. The man had a cerebral hemorrhage that nearly killed him, granted. But the response is lucid, articulate, and frankly, beautiful. I have purchased 55 full length 2011 releases (and it's April 3rd) already this year. Losing Sleep vaults to the top of my best of list for its title track, for the brilliance of Do It Again (with Franz Ferdinand). The opening salvo is well matched by tracks like I Believe In You.

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It dawns on me . . .

indiesoc

Is it me or do a lot of "Over the Hill" songwriters tend to write rather mediocre music? Seems they lean towards focusing on the lyrics and no longer push themselves to come up with a novel hook, chord change, rhythm etc. A tendency towards mid-tempo pacing doesn't help either. Losing Sleep is good, and In Your Eyes decent, but most of the songs here sound like ones I've already heard before.

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They Say All Music Guide

The 2010 album Losing Sleep is Edwyn Collins’ first since the stroke and subsequent complications that almost took his life in 2005. His long recovery was remarkable and the record finds him in fine voice, with undiminished songwriting skills, throughout. Still deeply resonant and rich, his voice is a treasure and to have it stilled would have been a tragedy. Losing Sleep is a document of Collins’ recovery, his strength, and the love his fellow musicians feel for him. It’s dotted by appearances by famous chums like Johnny Marr and Roddy Frame, members of bands influenced by his work (like Franz Ferdinand and the Cribs), and young upstarts (the Drums). They co-write songs, sing with him, and play with the core band (including longtime collaborator Paul Cook on drums) to great effect, but at the core of Losing Sleep is the soul of Collins. He sings movingly of the changes he’s been through, the confusion and helplessness, the success he’s had, and the struggles yet to conquer — all with the clear-eyed sensibility and honesty you’d expect from one of the best songwriters of the past 50 years. With the help of his cohort Sebastian Lewsley, Collins’ loose and punchy production gives the songs a kick, rocking hard at times, bouncing like an old Northern soul classic at others. Quite a few of them will fit in nicely on the next hits collection: the title track is a charging rocker that will get feet moving at an indie disco; “Come Tomorrow, Come Today” (a Marr co-write) has a lovely melody and an inspiring chorus; and the jangling “Do It Again” features a storming Alex Kapranos vocal. The rest aren’t far behind either, with all the guests bringing their best efforts and never elbowing Collins out of the spotlight. Indeed, the record could have been a star-studded mess if it weren’t for the sympathy and love they show Collins, and for his own indomitable strength and spirit. As it stands, Losing Sleep is a heartwarming tribute to Collins and a statement that, although he’s still on the mend, he’s still got a lot more to give. Those who have ever fallen in love with a Collins vocal, been sideswiped by one of his melodies, or had their breath knocked out by a lyric will be glad to hear that, and should definitely make sure they hear Losing Sleep. – Tim Sendra

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