Elastica

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Total Tracks: 16   Total Length: 40:30

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Brian Raftery

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Brian Raftery has written for Wired, GQ, SPIN, New York, and Esquire. His first book, Don't Stop Believin': How Karaoke Conquered the World and Changed My Life,...more »

11.16.10
Art-school pranksters who'd figured out the joke before the first day of class
2007 | Label: Geffen Catalog Transfer

For those of us in the U.S., the '90s Britpop explosion often felt less like a singular, landscaping-smoldering burst, and more like a series of protracted aftershocks: Big U.K. releases could take months to arrive stateside, which meant it was possible to read about songs long before actually hearing them. But London's Elastica made its presence known immediately, thanks to "Connection," an undodgeable come-on buoyed by a cannonball-shot bassline and a new-wave riff lovingly (and litigiously) copped from an old Wire record. The video was similarly beguiling, with singer-guitarist Justine Frischman and her bandmates looking sleek and bored — art-school pranksters who'd figured out the joke before the first day of class.

"Connection" garnered instant radio play in America, and while nothing on Elastica would prove as big, the album's full of crisp immediacy, from the lightspeed guitars and impotence put-downs of "Stutter" to the slinky minimalism of "2:1." Few tracks break the three-minute mark here; Elastica is a steadfastly economical record, with little patience for guitar solos or padded-out choruses. But when the group does go long — as on the jagged tale-of-excess "S.O.F.T." — it's clear that Elastica could have been as big as any of its arena-conquering Britpop… read more »

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They Say All Music Guide

Elastica’s debut album may cop a riff here and there from Wire or the Stranglers, yet no more than Led Zeppelin did with Willie Dixon or the Beach Boys with Chuck Berry. The key is context. Elastica can make the rigid artiness of Wire into a rocking, sexy single with more hooks than anything on Pink Flag (“Connection”) or rework the Stranglers’ “No More Heroes” into a more universal anthem that loses none of its punkiness (“Waking Up”). But what makes Elastica such an intoxicating record is not only the way the 16 songs speed by in 40 minutes, but that they’re nearly all classics. The riffs are angular like early Adam & the Ants, the melodies tease like Blondie, and the entire band is as tough as the Clash, yet they never seem anything less than contemporary. Justine Frischmann’s detached sexuality adds an extra edge to her brief, spiky songs — “Stutter” roars about a boyfriend’s impotence, “Car Song” makes sex in a car actually sound sexy, “Line Up” slags off groupies, and “Vaseline” speaks for itself. Even if the occasional riff sounds like an old wave group, the simple fact is that hardly any new wave band made records this consistently rocking and melodic. – Stephen Thomas Erlewine

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