Country For True Lovers

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Country For True Lovers album cover
Album Information

Total Tracks: 12   Total Length: 42:05

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Absolute Croon & Swoon

young_mc

I'm not sure where this gal (from L.A., believe it or not) has been hiding all this time, but she has the blessings of at least a dozen honkey-tonk angels. There's even a little Français ("Home") to boot, a two-steppin' toe-tappin' rabble-rouser ("Tell Me Twice") and all the requisite country accompaniments make their mark; lap steel, slide guitar, upright bass, banjo. But above it all rises Eleni Mandell's voice. "Country For True Lovers" glistens with the heartbreak stylings of Patsy, Loretta and (dare I say) the Torch & Twang-era of k.d. lang, and Eleni sings with the same naughty twinkle in her eye ("Don't tell me that you're no good/'Cuz you're all bad and that's why you've been invited/Oh yeah") that's sure to get her on Nashville's bad side. Too bad for Nashville. Good for the rest of us.

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They Say All Music Guide

Eleni Mandell takes a different approach with this album, offering up a batch of gin-soaked, traditional honky tonk numbers that bring to mind previous singers like Brenda Lee, Connie Francis, and Patsy Cline. The introductory “Another Lonely Heart” has the singer giving a credible performance that nails each tear-at-your-heartstrings note. Greg Leisz has an important part on the song with a great pedal steel guitar solo, but it’s the mix of whispery jazz and country that Mandell excels at. “Don’t Say You Care” falls along the same vein, with the slow and mournful melody carrying the song. “Refrain” is another quality performance, as Mandell does her best rendition of a tune screaming to be performed at Nashville’s Ryman Auditorium. An interesting cover is Merle Haggard’s “I’ve Got a Tender Heart,” which has a definitive upbeat swing. “I’ll get over you and make a brand new start,” she sings behind a stellar cast of supporting musicians. The flow each song has can’t be underestimated, giving each a timeless quality. A departure from the country mold is the blues-tinged “It’s Raining,” a number that seems a bit out of place here. One of the album’s high points is the sparse yet cozy Celtic folk feeling on “Kingsport Town,” a tune that predominantly resembles Cowboy Junkies. “You’re All Bad (And That’s Why You’ve Been Invited!)” is a tad wordy in places, but it has a punchy, bouncy Bonnie Raitt quality that works. “Home” consists of just vocal, acoustic guitar, and pretty backing harmonies that could be mistaken for Alison Krauss, except for the French verse. Overall, it’s an album well worthy of its title. – Jason MacNeil

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