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Don't Shoot Me I'm Only The Piano Player

Rate It! Avg: 4.5 (24 ratings)
Don't Shoot Me I'm Only The Piano Player album cover
01
Daniel
3:55
$1.29
02
Teacher I Need You
4:10
$1.29
03
Elderberry Wine
3:34
$1.29
04
Blues For My Baby And Me
5:39
$0.99
05
Midnight Creeper
3:52
$0.99
06
Have Mercy On The Criminal
5:58
$0.99
07
I'm Going To Be A Teenage Idol
3:56
$0.99
08
Texan Love Song
3:33
$0.99
09
Crocodile Rock
3:55
$1.29
10
High Flying Bird
4:12
$0.99
11
Young Man's Blues
4:43
$0.99
12
Jack Rabbit
1:50
$0.99
13
Whenever You're Ready (We'll Go Steady Again)
2:51
$0.99
14
Skyline Pigeon
3:56
$1.29
Album Information

Total Tracks: 14   Total Length: 56:04

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eMusic Review 0

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Barry Walters

eMusic Contributor

Award-winning critic Barry Walters is a longtime contributor to Rolling Stone, Spin, the Village Voice, and many other publications. His interview with Prince a...more »

09.24.12
Mighty mixed, both stylistically and qualitatively
1996 | Label: Island Def Jam

Despite the consistency of 1972′s Honky Château, Elton’s next album gets mighty mixed, both stylistically and qualitatively. This early-1973 release features what was then his most energetic material, as well as his slickest, and in each case that’s both good and bad. Its first single, the Fonz-anticipating ’50s corn of “Crocodile Rock,” hasn’t aged well, unlike its less-derivative and more rocking B-side, “Elderberry Wine.” The second one, the impeccably-produced “Daniel,” remains a definitive slice of breezy ’70s smoothness that’s one nautical reference away from inventing yacht rock.

Don’t Shoot Me anticipates Goodbye Yellow Brick Road‘s eclecticism while suggesting Elton wasn’t always ready to pull it off just yet. He’s experimenting more vocally as the band ramps up its guitars and overall dexterity, yielding winners like the simultaneously bouncy yet yearning “Teacher I Need You” as well as misfires such as “Texan Love Song” — a convincing murderous redneck Elton is not.

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Underrated among his classics from this period

Updog

I disagree with the emusic reviewer here. There is not a less-than-perfect melody on this album. Sure, amongst the greatness, a few of the tunes might not strike as hard. For me, those are "Midnight Creeper" and "Have Mercy on the Criminal." Nonetheless, both are great tunes, the former being a catchy T. Rex-ish boogie and the latter being a highly-charged drama in the vein of "All the Young Girls Love Alice" which was yet to come. Of course any fan knows the beauty of "Daniel," but lesser known tracks like "Texan Love Song," "Elderberry Wine" and majestic album-closer "High Flying Bird" are as classic as any of the early 70's John/Taupin catalog. I'm still perplexed at why this album didn't get the 5.1 surround treatment all the other John albums of this period got. The extra tracks are worthwhile, though not essential. "Young Man's Blues" is certainly the standout of the four.

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They Say All Music Guide

Elton John became a true superstar with 1972′s Honky Chateau. He followed that album with Don’t Shoot Me I’m Only the Piano Player, his most direct, pop-oriented album to date. Designed as a pastiche of classic and contemporary pop styles, the album almost sounds like an attempt to demonstrate the diversity of the John/Taupin team. Though the hits are remarkable — “Daniel” is a moving ballad and “Crocodile Rock” is a sly take on ’50s rock & roll — the album is slightly uneven. Several of the album tracks, particularly the knowing “I’m Gonna Be a Teenage Idol” and the rocking “Elderberry Wine,” are as strong as anything John had recorded, but there are too many melodies that simply don’t catch hold. Nevertheless, the singles were strong enough to keep the album at the top of the charts, and at its best, it is a very enjoyable piece of well-crafted pop/rock. [The CD reissue includes the bonus tracks "Screw You (Young Man's Blues)," "Jack Rabbit," "Whenever You're Ready (We'll Go Steady Again)," and the piano version of "Skyline Pigeon."] – Stephen Thomas Erlewine

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