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Un' Ora Con Ennio Morricone

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01
Il Buono, Il Brutto, Il Cattivo: Titoli Di Testa
2:44
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02
Il Buono, Il Brutto, Il Cattivo: L'Estasi Dell'Oro
3:24
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03
Il Buono, Il Brutto, Il Cattivo: Il Triello (Titoli Finali)
4:57
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04
Il Prefetto Di Ferro
2:28
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05
Navajo Joe
2:51
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06
Sesso In Confessionale
3:30
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07
Il Mercenario
4:47
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08
Il Mostro: Profondamente Nel Mostra (1a Partie)
3:25
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09
Dalle Ardenne All'Inferno: Ardenne's Theme Marcia
2:52
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10
Queimada: Verso Il Futoro
4:39
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11
La Resa Dei Conti: Titoli Di Testa (La Caccia)
2:43
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12
La Resa Dei Conti: La Resa
2:51
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13
La Resa Dei Conti: Titoli Finali
1:04
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14
Sepolta Viva Un Fiume Di Dollari
2:54
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15
Home To My Love
1:48
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16
Un fiume Di Dolari
1:54
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17
Holocaust 2000: Holocaust
2:32
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18
Faccia A Faccia
3:12
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19
Il Sorriso Del Grande Tentatore: Dies Irae
6:45
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Album Information

Total Tracks: 19   Total Length: 61:20

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True Music of the Spaghetti Western

WitnArt

Music of the Spaghetti Western , its haunting whistling gunslinger are here for the listen. True in fidility to the orginal when Eastwood was young and tumble weeds and meatballs rolled over the plains.

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you can't go wrong with morricone

imnokid

And if you are on this page, then you already know that. Get it.

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Un' Ora Con Ennio Morricone

Tiberiuscan

One hour is not enough of Ennio Morricone. Yes these are all the originals, with some rare tracks that have never been in any other compilation package. You just can't beat the beauty, power and even fun of the music of 'Il Maesto".

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Genius

aluap345

The good, the bad and the ugly in Italian or otherwise, how can you go wrong.THey are the originals.

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A cardinal pillar...

royvin69

...of all 'soundtrack' music. Simplicity and directness are the watchwords here. Beautiful.

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Evocative

IlCattivo

The first three tracks (originals as far as i can tell) are essential for movie buffs.

eMusic Features

0

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1

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By Andy Beta, Contributor

It used to be easier to pretend that an album was its own perfectly self-contained artifact. The great records certainly feel that way. But albums are more permeable than solid, their motivations, executions and inspirations informed by, and often stolen from, their peers and forbearers. It all sounds awfully formal, but it's not. It's the very nature of music — of art, even. The Six Degrees features examine the relationships between classic records and five… more »

1

Six Degrees of Jack Nitzsche’s The Lonely Surfer

By Andy Beta, Contributor

It used to be easier to pretend that an album was its own perfectly self-contained artifact. The great records certainly feel that way. But albums are more permeable than solid, their motivations, executions and inspirations informed by, and often stolen from, their peers and forbearers. It all sounds awfully formal, but it's not. It's the very nature of music — of art, even. The Six Degrees features examine the relationships between classic records and five… more »