Tell Mama The Complete Muscle Shoals Sessions

Rate It! Avg: 5.0 (8 ratings)
Tell Mama The Complete Muscle Shoals Sessions album cover
Album Information

Total Tracks: 22   Total Length: 57:09

eMusic Features

0

eMusic Guide to Chess Records

By John Morthland, eMusic Contributor

In 1947, South Side Chicago bar, nightclub and liquor store owners Phil and Leonard Chess, brothers who'd emigrated from Poland, expanded into the music business by becoming partners with Charles and Evelyn Aron in Aristocrat Records. The Chess brothers wanted to make records with the bluesmen who played their venues, and their first significant artist became Muddy Waters, who soon adapted the solo, acoustic Mississippi Delta sound he'd grown up with to electric bands more… more »

They Say All Music Guide

As the title suggests, this is the definitive edition of Etta James’ Tell Mama long-player. For this single-disc release the original album is augmented with five previously unissued tracks — documented during James’ four Muscle Shoals sessions circa ’67-’68. The question of why a rural Alabama town became a conduit for some of the most memorable and instantly identifiable grooves may still be up for debate. The evidence exists in droves and Tell Mama could certainly be considered exhibit A. These sessions feature the same impact that would redirect several first ladies of soul. Notable among them are Dusty Springfield’s Dusty in Memphis, Aretha Franklin’s I Never Loved a Man (The Way I Love You) and to somewhat lesser acclaim, Jackie DeShannon’s Jackie. Tell Mama showcases some of the unique and admittedly darker qualities of what might best be described as R&B noir. “I’d Rather Go Blind,” “Steal Away,” “I’m Gonna Take What He’s Got” all exemplify the essence of the blues — making the best of a bad situation. The flipside of the sombre subject matter is the satisfying conviction in the music — which is where the remastering becomes particularly noticeable. No longer does the brass section sound alternately muffled or harsh as it has on previous releases. Likewise, the churning Hammond B-3 organ swells with rich textures. Perhaps the most sonically evident improvements are the subtle ones, such as the supple fretwork on “Sweet Dreams,” “I’d Rather Go Blind,” and the jazzy percussive shuffle of “The Same Rope.” – Lindsay Planer

more »