All Guts, No Glory

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All Guts, No Glory album cover
Album Information

Total Tracks: 11   Total Length: 35:50

eMusic Features

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Relapse Records Radio

By Andrew Parks, Director of Merchandising

To celebrate over 20 years of releasing forward-thinking heavy music, Relapse Records has assembled a monumental playlist featuring over 70 songs from the label's eclectic catalog. From the early days of crushing death/doom metal and blistering grindcore to the present days of whirlwind tech-death, atmospheric sludge, occult rock, progressive instrumental rock and everything in between, Relapse has remained at the forefront of extreme art. Presented in the following mix are tracks from genre leaders Mastodon, Baroness… more »

They Say All Music Guide

The current lineup of Exhumed contains only guitarist Matt Harvey from the original quartet, and this configuration has cut only one record together: the all-covers collection Garbage Daze Re-Regurgitated, which is, admittedly, not the best way to judge the abilities of a grind-and-gore core outfit like Exhumed. That said, they have been road warriors for the last six years both on U.S. And European shores, and as a result, they’ve learned to play together — in a live setting at least — nearly symbiotically. Harvey, fellow guitarist Wes Caley, drummer Leon del Muerto, and bassist Danny Walker have, on All Guts, No Glory, cut a set that while not returning to the band’s gore-grind demo era of yore, is a more stripped-to-the-bone and go-straight-for-the-entrails outing than 2003′s Anatomy Is Destiny was. A solid comparison in terms of the genre would be something akin to Slayer’s Reign in Blood, in terms of pure attack and throttle abandon. The music here isn’t as knotty or complex compared to other bands who play like-minded fare, which doesn’t mean it doesn’t posses its share of insane riffing, off-the-rails guitar soloing, or almost superhuman drum speedery: check “I Rot Within” and the syncopated craziness of “Funereality.” There is the back and forth riffing in “Through Cadaver Eyes” that takes a brief but meaty riff and spins it out into an aural assault weapon. “Death Knell” is straight-ahead grindcore metal played at a blistering pace. Ultimately, All Guts, No Glory proves that there is plenty of life left in Exhumed, with the album signaling a new era. – Thom Jurek

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