Goin to Minton's

Rate It! Avg: 4.5 (2 ratings)
Goin to Minton's album cover
Album Information
EDITOR'S PICK

Total Tracks: 22   Total Length: 71:16

eMusic Features

0

Hot House Ornithology

By Britt Robson, eMusic Contributor

"Hot House Ornithology" (a blend of classic bop titles by Tadd Dameron and Charlie Parker) is an intimate but raucous enclave for some of the finest and most iconic bebop jazz from the 1940s and 50's. This is where the Dizzy Birds come home to roost — and roust memories of that glorious post-war musical renaissance. More than a half-century later, the fundamentals of bebop as set forth by Parker, Gillespie, Monk, Powell, and many… more »

0

Scene: Bebop in New York City, 1940s and '50s

By Britt Robson, eMusic Contributor

It may have been the hippest ambush in the history of music, an undercover coup waged and staged in the clubs of New York City that, more than a half-century later, still provides the foundation of modern jazz. When the American Federation of Musicians called a recording strike in the summer of 1942, the style that would become known as bebop was in its infancy, mostly consigned to after-hours jam sessions at a pair of… more »

They Say All Music Guide

There are many tragic figures in bebop history, but Fats Navarro’s story is even sadder than most. Considered by some to be a better trumpeter than Dizzy Gillespie (Lennie Tristano is reported to have said of Gillespie, “He’s a nice trumpet player, but he’s no Fats”), Navarro was killed by his heroin addiction at age 26. This disc includes material from five sessions recorded between September of 1946 and December of 1947, when bop was at the height of its popularity and its most important and influential practitioners were still alive. Some of them, in addition to Navarro, are present on these sessions: Bud Powell plays piano on “Boppin’ a Riff,” “Fat Boy,” “Everything’s Cool,” and his own “Webb City,” tracks which also feature Sonny Stitt on alto and Kenny Clarke on drums. Other sessions feature Eddie “Lockjaw” Davis on tenor, frequent Charlie Parker sideman Curley Russell on bass, Charlie Rouse on tenor, and Art Blakey on drums. While the sound quality isn’t always great, the performances themselves rarely fall short of greatness, and Navarro’s sweet tone and effortlessly beautiful phrasing are a constant pleasure throughout. – Rick Anderson

more »