The Colour And The Shape (Special Edition)

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The Colour And The Shape (Special Edition) album cover
Album Information
EDITOR'S PICK
  • Artist: Foo Fighters (See All Albums by Foo Fighters)
  • Date Released: Jul 10, 2007

  • Genre: Rock/Pop, Style: Rock

  • Label: RCA/Legacy

Total Tracks: 19   Total Length: 71:15

eMusic Review 0

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Andy Beta

eMusic Contributor

Andy Beta has written about music and comedy for the Wall Street Journal, the disco revival for the Village Voice, animatronic bands for SPIN, Thai pop for the ...more »

05.20.10
David Grohl goes from grunge thunder god to modern-rock staple
2007 | Label: RCA/Legacy

At the height of Nirvanamania, the Secret Machines catalog issued Stopwatch, a cassette by an artist known only as Late! It was no big secret that it was a collection of concise pop songs penned and performed by Nirvana's drum-popping Dave Grohl, and the tape proved that he was a budding songsmith in his own right. So the emergence of Grohl as frontman/guitarist with Foo Fighters in the wake of Kurt Cobain's death was a natural progression. That he would go on to become a hearty multi-platinum rock star of his own accord that same decade becomes evident here.

Whereas many of his grunge peers veered towards the angsty side of the spectrum as the decade wore on (unfortunately favoring growled emoting a la Eddie Vedder), Grohl always grounded his discordant guitars and hardcore velocities in pop. No doubt recalling the lessons of Nevermind's massive success, for all of the squall and feedback, he kept sharp, steely hooks at the center of his band's sound. On the strength of singles like the furious "Monkeywrench" and ever-building "Everlong," Foo Fighters became modern-rock radio staples. And when original drummer William Goldsmith left during the album's recording, Grohl also proved he could still make… read more »

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Classic Album (plus extras!)

davyflave

Energetic 90's nostalgia with clean vocals. This album was most likely the root of what comes later with Kings of Leon in the 2000's, except you can understand every word. And that's a good thing. This album contains Monkey Wrench, My Hero, Everlong and Walking after You. Solid guitar riffs, and guitar riffs that somehow manage to crawl into your mind and take over. This album has some of the cleanest production and sharpest playing by the members of the band. There's hardly a loose note in the thing, and that makes this album extremely listenable. It's cheapest here, and even contains an extra 5 songs as compared to iTunes, including a remake of Rafferty's Baker Street.

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Most of their greatest hits!

WillLuvsMusic

Since Foo Fighters hit the music scene, they have cemented their name in alternative music history! This album captures many of their greatest hits, but at the rate they produce more albums, they are going to need more than one greatest hits album because everything they create is gold!

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Best of the Foo

Revlary

Dave Grohl describes this album as the transition where the band went from a thrashy grunge band to a pop band. I tend to disagree. While the songwriting on the Foos second album is disjointed at times, the seamless LA-tastic production value really gels a collection of songs written over a period of 2 or 3 years. Disjointed or otherwise, TCATS also represents some of Grohl's finest lyrical work. Probably a good indiction of the growing pains the band experienced during this time period. But what do I know? The collection of b-sides is also very strong -- especially the covers -- "Requiem" and "Baker Street" are some of my favorite Foo covers.

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What?

paperphoenix

The reviewer said, "Still, the lack of immediate hooks prevents The Colour and the Shape from truly catching fire." What do you call Monkey Wrench, Everlong, and My Hero? Foo Fighters has produced catchier songs than any new music today, save a few exceptions.

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Forget the Hero and Longview

RG88

Forget those two, they have been played out by Alt rock radio; try Johnny Park and the splendid walking after you. The bonus of this album is that is recreate the European version of the album that us who traveled trough europe in the late 90's marveled at. The cover of the Cars Down in the Park and Baker street might not have made Kurt happy but I am sure Krist would understand.

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CLASSIC

gruenjr

Kids who aren't even born yet will grow up thinking it's cool to be a Foo Fighters fan. This album is one reason why. A classic, period.

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eMusic Features

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Six Degrees of the Foo Fighters’ The Colour and the Shape

By Andy Beta, eMusic Contributor

It used to be easier to pretend that an album was its own perfectly self-contained artifact. The great records certainly feel that way. But albums are more permeable than solid, their motivations, executions and inspirations informed by, and often stolen from, their peers and forbearers. It all sounds awfully formal, but it's not. It's the very nature of music — of art, even. The Six Degrees features examine the relationships between classic records and five… more »

They Say All Music Guide

Since the first Foo Fighters album was a collection of Dave Grohl solo recordings, their second, The Colour and the Shape, is in many ways their official debut, and it certainly does sound different than its predecessor. Producer Gil Norton has tightened up the sound considerably — his control was so tight that drummer William Goldsmith left the band during the recording, leaving Grohl to record the rhythm tracks for the bulk of the album. Certainly, Norton’s big, shiny production makes The Colour and the Shape sound more professional than the debut, but the presence of a full band makes a difference, too. The full Foo Fighters make Grohl’s songs heavier, not punkier, which may be a little unsettling to fans of the debut’s ragged, amateurish edge. It’s also strange that the album has such a glossy, arena-ready sound, since Grohl’s songs are introspective, quite different than the endearing punk-pop of its predecessor. They’re also not quite as catchy as before, but the band compensates by delivering them with a brutal energy. Still, the lack of immediate hooks prevents The Colour and the Shape from truly catching fire. [The 2007 expanded Legacy edition included six bonus tracks.] – Stephen Thomas Erlewine

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