The Definitive Collection

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The Definitive Collection album cover
Album Information
  • Artist: Four Tops (See All Albums by Four Tops)
  • Date Released: Sep 23, 2008

  • Genre: Hip-Hop/R&B, Style: Soul, R&B

  • Label: Motown

Total Tracks: 18   Total Length: 51:13

eMusic Review 0

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Michelangelo Matos

eMusic Contributor

11.16.10
Sweet pop music, with the right dash of soul
2008 | Label: Motown

No description of the Four Tops' 1966 #1 "Reach Out I'll Be There" has come near Greil Marcus's in 1979's Stranded, when he says that Levi Stubbs "sings [it] like he's calling to a buddy in a firefight." There are few vocals to match it anywhere — compassionate, commanding, utterly felt yet obviously a performance too. Pretty much everyone else who ever touched it has made a fool of themselves, yet who could resist? The one person who got away clean is Michael Jackson, four years later, when he threw out a "Just look over your shoulder, honey" in tribute to the big man. More mortal talents aren't so lucky.

The Four Tops were in some ways Motown's most formula-bound act. They hit big in 1964 with "Baby I Need Your Loving," a lovely plea, before redefining themselves the following year with the lithe, insistent stomp of "I Can't Help Myself," the most jingle-friendly Motown hit ever. Holland-Dozier-Holland, who were behind all the group's hits through early 1968, needed a follow-up and proceeded to write the greatest blatant retread in pop history with "It's the Same Old Song." It was, almost to the letter — and somehow everything about it… read more »

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They Say All Music Guide

Solid and steady hitmakers for Motown in the late 1960s, the Four Tops, led by the deep, soulful voice of Levi Stubbs and blessed with A-line songs from the Holland-Dozier-Holland writing team, were one of the finest singing groups the label ever produced. Singles like “Reach Out I’ll Be There,” “Standing in the Shadows of Love,” “Bernadette,” “I Can’t Help Myself,” and the wise-beyond-its-era “It’s the Same Old Song” were radio staples in their time, and actually still continue to be staples on 21st century oldies stations. That’s staying power, and it’s no accident. The songs, at least the singles, were good and the Tops’ sound was a hair rougher and edgier than a lot of Motown’s issues at the time. It was a winning combination. This set has all of the above songs, each of which is essential, and plenty of other stuff that isn’t quite so essential (the Four Tops were really a singles act — their LPs tended to have a fair amount of filler). It also doesn’t have anything the group recorded after they left Motown, but the Four Tops’ peak years were at Motown anyway, so for most listeners, this set will be just fine. – Steve Leggett

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