Returning fugue
This work is as sonically rich as many of Francis Dhomont's are, but this one seems quite focused on two aspects; movement, as a metaphor of the errance, and the recursion, as a symbolic view of what's left behind in the errance and the method itself of the 'musique concrete'. This aspect is best represented in the usage of a few fragments of music by Pierre Schaeffer in 'Un Certain Embarquement', that en up in a strong, emotional piece that leads one deeper into the rest of the suite. This album is a masterpiece, worth listening many times, always letting discover something more in the vast dhomontian sea of sounds.
