A consolidation of Freakwater’s status as one of the best — perhaps the best — 1990s exponents of the folk-country tradition. The Appalachian flavor is, if anything, a little more pronounced than usual, but the songwriting is utterly contemporary, and the Irwin-Bean harmonies among their best. “Binding Twine,” with its delectably sad melody and vocals, has the makings of a modern classic; “Jesus Year” has some great trembling harmonies; and “Slowride,” more unexpectedly, has the country-rock punch of the late-’60s Byrds in that group’s better moments. Most unusual lyrical twist: “Louisville Lip,” inspired by Muhammad Ali’s toss of his gold medal into the Ohio River after getting denied service at a restaurant. Max Konrad Johnston, formerly of Wilco, helps out on guitar, fiddle, banjo, Dobro, mandolin, and vocals, helping devise a sound that is both spare and textured. – Richie Unterberger