Ventriloquizzing

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Ventriloquizzing album cover
Album Information

Total Tracks: 11   Total Length: 39:21

eMusic Review 0

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Leonard Pierce

eMusic Contributor

12.11.10
Looking to expand their sonic horizons
2011 | Label: Yep Roc Records / Redeye

The decision by Fujiya & Miyagi to bring in outside help on their fourth full-length, in the form of co-producer Thom Monahan (Pernice Brothers, The Chamber Strings), seems to indicate that the British electro quartet are looking to expand their sonic horizons. Even a cursory listen reveals that nothing could be further from the truth. On Ventriloquizzing the band doesn't stray far from their formula: almost every song begins with a burst of electronic noise before settling into a familiar pattern of funky bass, snapping mechanical beats and David Best's half-whispered vocal insinuations.

The lyrical content has darkened considerably; with the exception of a few songs like the loose, attitude-soaked "Taiwanese Boots," most of the nonsensical freewheeling is gone, replaced by grim pronouncements like "We can't even breathe; we move our arms when you pull our strings" and "I'll beat you black; I'll beat you blue." The comfortable sound allows those grim sentiments to fully take hold. Monahan, no stranger to gifting a record with brighter sonics, instead wisely chooses to facilitate the band's move into gloomier terrain: Fujiya & Miyagi have added Suicide-style desperation to their dark disco sound; the result may be bleak, but it's also undeniably… read more »

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They Say All Music Guide

In a blue hue illustrated by the song title “16 Shades of Black and Blue,” Fujiya & Miyagi spin over to the cooler side of the color wheel. Ventriloquizzing sees the Brighton group expanded to a quartet, and performing their chill electro-pop with less pep as they step away from the warm reds and yellows of Lightbulbs into a shadowy haze. Assisted by producer Thom Monahan (Devendra Banhart, Vetiver), their change in sound is much like the transformation that Air made after the “Sexy Boy” camp of Moon Safari for 10,000 Hz Legend, or the route Beck went on The Information, operating with icy electronics throughout. Even as Dave Best sings jovial lyrics like “you go up and down like a yo yo” or whispers about sipping minestrone soup, it’s with a degree of tension. At the same time, as Gary Numan will tell you, synthesized pop isn’t meant to be sunny. A mechanical environment lends itself to melancholy and paranoia. So the singles aren’t as obvious as 2008’s “Knickerbocker,” and the cuteness is replaced by suave aloofness; Ventriloquizzing is seamlessly somber, and all the better for it. – Jason Lymangrover

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