so i need to hear all your goodies and melt my brain even if i don't get the whole album altho i should, sez yazan. An unfulfillable need here at emusic where we pay by the track no matter how short... but the long tracks cannot be purchased at all without i buy the hole ting. farkin bastiges.
I got two words for you That's funky!!
I had a tape of this show back in the 90's and was blown away by it. Of course, I lost the tape. But this album is just RETARDED! The story behind it, too. New drummer sitting in. Just retarded. "Good Old Music" is, personally, the dopest live track I've ever heard. I know, bold statement. But putting yourself there on 9/12/71. "The Loser's Seat" is amazing too. The whole damn thang is just Divine. BUY IT!
The 15 minute version of "All Your Goodies Are Gone" is brain melting. One of the most emotional things I have ever heard in my life. Even if you don't get the whole record (which you should, because it's great), you need to hear this track.
It used to be easier to pretend that an album was its own perfectly self-contained artifact. The great records certainly feel that way. But albums are more permeable than solid, their motivations, executions and inspirations informed by, and often stolen from, their peers and forbearers. It all sounds awfully formal, but it's not. It's the very nature of music — of art, even. The Six Degrees features examine the relationships between classic records and five… more »
It used to be easier to pretend that an album was its own perfectly self-contained artifact. The great records certainly feel that way. But albums are more permeable than solid, their motivations, executions and inspirations informed by, and often stolen from, their peers and forbearers. It all sounds awfully formal, but it's not. It's the very nature of music — of art, even. The Six Degrees features examine the relationships between classic records and five… more »
It used to be easier to pretend that an album was its own perfectly self-contained artifact. The great records certainly feel that way. But albums are more permeable than solid, their motivations, executions and inspirations informed by, and often stolen from, their peers and forbearers. It all sounds awfully formal, but it's not. It's the very nature of music — of art, even. The Six Degrees features examine the relationships between classic records and five… more »
It used to be easier to pretend that an album was its own perfectly self-contained artifact. The great records certainly feel that way. But albums are more permeable than solid, their motivations, executions and inspirations informed by, and often stolen from, their peers and forbearers. It all sounds awfully formal, but it's not. It's the very nature of music — of art, even. The Six Degrees features examine the relationships between classic records and five… more »
It used to be easier to pretend that an album was its own perfectly self-contained artifact. The great records certainly feel that way. But albums are more permeable than solid, their motivations, executions and inspirations informed by, and often stolen from, their peers and forbearers. It all sounds awfully formal, but it's not. It's the very nature of music — of art, even. The Six Degrees features examine the relationships between classic records and five… more »
