My Very Special Guests (Legacy Edition)

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My Very Special Guests (Legacy Edition) album cover

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Michelangelo Matos

eMusic Contributor

06.30.09
George Jones gets together some of the biggest names in the business on this classic
2005 | Label: Epic/Legacy

As George Jones puts it in the booklet of Legacy's reissue of 1979's My Very Special Guests — which nearly quadruples the original album, ballooning it from 10 tracks to 37 — "I just thought it would be fun to sing some songs with some of my good friends — and some new friends." Sure, George. That's why these ten items were recorded in February 1977 and November 1978 and not released until October 1979 — because it came out so damn spontaneously. Isn't it great when life is that simple?

Of course, My Very Special Guests was nothing like simple. For one thing, it's the hardcore honky-tonker's first attempt to cross over to a non-country audience since the '50s. (When Jones played New York's Bottom Line in 1980, it was a big deal, because he so seldom showed up in the live-music capitol of America.) For another, it was pulled together while Jones was in the pits of his raging twin habits of drugs and booze. The latter doesn't show up on the album except in its haphazard quality, but either way, nearly two years is a long time for any album to gestate in Nashville, the most efficient major… read more »

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Icon: George Jones

By John Morthland, eMusic Contributor

Certainly there have been greater all-around artists, writers/singers/performers - Hank Williams, Merle Haggard and Johnny Cash are but a few - but George Jones, according to consensus, is the greatest singer country music has ever produced. His voice and style are instantly recognizable, yet hard to describe. His voice doesn't seem to come from the gut or the throat, but from somewhere in the back of his head, forced out through clenched teeth. Words are… more »

They Say All Music Guide

When George Jones recorded his duets album My Very Special Guests in 1977 and 1978 with producer Billy Sherrill, he was a legend, but his reputation for carousing and blowing off gigs was overshadowing his talent. This album and its successor, I Am What I Am, changed Jones’ fortunes professionally even if his personal life didn’t come under control until later. This document is a testament to Jones’ virtually indestructible voice and his ability to stay true to his vision as the fortunes and focus of commercial country music were rapidly changing. Sony Legacy’s reissue is a double-disc set containing a sprawling 38 tracks from the 1970s through the ’90s that showcases the album in the context of other duets Jones recorded for various projects — his own albums, his appearances on other artists’ recordings, and compilations. This remaster of the original album is glorious. Duets with Tammy Wynette, Linda Ronstadt, Elvis Costello, James Taylor, Emmylou Harris, Waylon Jennings, Willie Nelson, Johnny Paycheck, and Pops and Mavis Staples are among the finest of his career. Disc one gets rounded off with an additional eight cuts including “A Few Ole Country Boys” with Randy Travis from the latter’s Heroes and Friends set, and “Wonderful World Outside” from Ralph Stanley’s Saturday Night & Sunday Morning. And the simply awesome “You Don’t Seem to Miss Me” with Patty Loveless was a smash form her Long Stretch of Lonesome offering in 1997. Disc two’s standouts include Jones with Alan Jackson (“A Good Year for the Roses”), Loretta Lynn (“We Sure Make Good Love”), Johnny Cash (“I Got Stripes”), Merle Haggard (“Yesterday’s Wine”), and Travis Tritt (“The Race Is On”). All of what is here has been released before, and some of it doesn’t hold up. Still it’s good to have it all collected as a-mostly-superlative document of Jones as a continuous power and creative influence on other vocalists. The CD is packed with session photos, and features a great set of notes by Holly George-Warren. – Thom Jurek

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