Grace Slick & The Great Society

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Grace Slick & The Great Society album cover
Album Information
LIVE

Total Tracks: 17   Total Length: 68:07

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Grace Slick & the Great Society

GreyEagle

This is truly classic San Fran 60's. The songs give an early clue of what was to become Jefferson Airplane. I have a tape a friend made for me from the album, but I decided to plunk down $$ for it & to send something back to keep classics like this in circulation (plus a lot less work!) "Often As I May" is my fave from this album with lyrics that openly express the modes of that time (...the eyes so white & black & acid clear). A real snapshot of psychedelic 'Frisco!

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A gem form the 60's

DrR

I grew up listening to this record. A loose band in a club with Grace Slick in full voice. It has an awesome jam feeling. If you like Jefferson Airplane you must get this prequel.

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What a great slice of history!

Melodyman50

I believe these recordings were made at the Matrix. To me, they sound better than the studio recordings! Maybe not in sound quality (though these sound very good considering when and how they were recorded, but definitely in energy and performance. Some groups just don't shine in the studio and I feel this is the case here. Great jams. Grace is in top form. Great collection. Highly recommended if you are a Jefferson Airplane fan. Different, but similar.

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Scene: San Francisco 1966-69

By Lenny Kaye, eMusic Contributor

The perfect storm creates an awe-inspiring rainbow. In the Summer of Love, that star-crossed solstice of the psychotropic year of 1967, all third eyes pointed toward San Francisco at the nexus of Haight and Ashbury, a sound-and-vision track of mind-genre expansion. Set and setting, like the happenstance of tripping itself, enhanced the soupcon of musical expression that shot the Bay Area to the forefront of popular consciousness. The counter-cultural and political upheavals of the 1960s had… more »

They Say All Music Guide

This double-LP/single-CD reissue combines both of the Great Society’s live albums, Conspicuous Only by Its Absence and How It Was, and features “Somebody to Love” in its original slower, more menacing version. It also includes the Society’s extended version of Grace Slick’s “White Rabbit” along with several other haunting originals which strike an exhilarating balance between tight songwriting and psychedelic jamming. Based on his raga-tinged work here, guitarist Darby Slick (Grace’s then brother-in-law) deserves a lot more recognition than he’s ever received for his pioneering explorations of Eastern scales. Bassist Peter Van Gelder isn’t far behind him in the innovation department, and makes significant contributions here on saxophone and flute as well, plunging into John Coltrane territory on the former — and his work on “White Rabbit,” by itself, is worth the price of admission. Additionally, Grace Slick’s singing was already about 95-percent of what it would be with the Airplane when she came aboard the latter, and if you close your eyes and forget what you’re hearing, there are moments when you’d swear you were listening to her work from Surrealistic Pillow, After Bathing at Baxter’s, or Crown of Creation. What’s more, the CD edition is very nicely produced, the engineers overcoming most of the sonic limitations of the original concert tapes that made the original LP versions sound so flat in spots. All of these attributes make the title of this release something of a misnomer — far more than a “Collector’s Item,” this is a genuinely exciting glimpse into the birth of psychedelic music, and essential listening for any devotees of the latter, or the San Francisco sound in any of its manifestations; the Great Society might not have made it past 1966, but they left behind music here that was as solid, substantial, and enduring — and worth hearing today — as anything the Airplane, the Grateful Dead, and the Charlatans were doing at the time. (And if you do look for this CD — which, amazingly, is still in print as of 2007 — a lot of stores tend to file it under Grace Slick rather than Great Society). – Richie Unterberger & Bruce Ed

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