American Beauty

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American Beauty album cover
Album Information
EDITOR'S PICK

Total Tracks: 10   Total Length: 42:06

eMusic Review 1

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Holly George-Warren

eMusic Contributor

Holly George-Warren is an award-winning writer and editor, whose dozen-plus books include subjects ranging from Gene Autry to punk rock. Formerly co-editor of t...more »

05.06.10
A masterpiece, pure and simple
2004 | Label: Rhino/Warner Bros.

Part II of the Dead's ode to roots music, American Beauty, along with its predecessor Workingman's Dead, stands as the band's creative peak. Concise, well written and timeless songs (a collaboration between Hunter and Garcia, Lesh and Weir) convey a wistful beauty, an elegiac feel and a desire for simpler, pastoral times. A feast of harmony singing and acoustic instrumentation, American Beauty hums with a sense of community: The gorgeous opener, "Box of Rain," features Lesh (the song's cowriter) debuting on lead vocals, backed by guitarist David Nelson and bassist Dave Torbert of the Dead's side project, New Riders of the Purple Sage. Rider John Dawson cowrote the outlaw saga "Friend of the Devil" with Hunter and Garcia, whose bluegrass compatriot David Grisman adds atmospheric mandolin trills to the guitarist's finger picking on "Devil" and the contemplative tour de force "Ripple." Another highlight is Bob Weir's lilting "Sugar Magnolia," which promoter Bill Graham once proclaimed his favorite Dead song. Pigpen's sole turn is "Operator," an old-time number featuring his wheezy vocals and harmonica break. Garcia's soulful ruminations on "Attics of My Life," "Candyman" (with guest keyboardists Howard Wales and Ned Lagin), and "Brokedown Palace" show him at his most… read more »

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American Beauty

EMUSIC-02929141

Although it may be considered a 'Masterpiece' to many,if not most,Dead Heads, it still smells like 'Album Only' baloney to me. It IS their best album, granted, and 'Ripple' is (in my opinion) their best song ever, as well as one of my all time favorites by any artist, I am now, I believe, on thin ice, so I think I'll just leave it at that.

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American Beauty

pacster

Wonderful music. A drug free flashback....

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Top of their game

Okieeagle

For a band as talented, prodigeous, and artistically brilliant as the Grateful Dead to have a "pinacle" is truly a momentus occasion. American Beauty can be considered, if not THE, one of the most brilliant recordings of modern pop/rock music. Bringing together seemingly all of the popular genres of the day; jazz, blues, R&B, Country Rock and folk. The Grateful Dead infuse all of this musical delightfulness with some of the most memorable lyrics in popular music. Poetic, majestic, autobiographical as well as being relevant and familiar with their listener. Anyone who can listen to this album without admiration and a sense of something truly artistic has no ear for music.

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Glorious Album, Deeply Influential

TweezerMan

Speaking to new Dead listeners: you don't have to like everything on this album, but it has a lot to say and I suggest you just let it wash over you several times. Everyone has their favorites. Compare Candyman to other versions (especially Hot Tuna). Celebrate "Box of Rain". Cry away each lonely night with "Friend of the Devil". Reach for the meaning of "Brokedown Palace". And everyone loves "Truckin' ", though it might seem over exposed.

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all around great album

Scotchie

So much is said for live Dead and rightfully so but this is one studio album that is perfect for listening to over and ober again.

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Alone or w/Workingman's Dead...

ursus50

... this is a landmark album. Looking back at all of the "crossover" C&W, bluegrass, country, or wannabes this one set the tone for all that followed. It is fun to hear the Dead without their psychadelic trapings.

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gorgeous

manatee37

one of the most beautiful albums i have ever heard

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American Beauty

jerrydjango

At least emusic could do would be to list "PIG PEN" rightly as keyboardist on American Beauty. He still had the love light burnin' in him circa 1969-1970, but didn't have the classic/avantgarde training of Tom C. that Jerry and Phil so coveted. The closest Ron McKernan came to playing drums was tappin' the tamborine. In memory of Ron "PigPen" McKernan please fix the typo. For the record, he played a Hammond B3, a mean harmonica and vocal duties on Operator on AB. In the "Grand Scheme" it don't mean much--but hey, give credit where credit's due.

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A bit diminished by the years but still a landmark

Wanderer

From the late sixties to the mid-seventies the Dead had an impressive run of creativity and productivity. Almost hard to believe that this album and Workingman's were released in the same year. They are similar albums although this one is softer and less edgy. Some songs have been diminished by time and exposure (most notably #2, #6, and #10) but it's still a great folk rock album and tracks #1, #3, #5, and #7 still do it for me many years later.

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lick me emusic

matt.g.evans

i own the dead. release this to south african audiences or i will do you harm.

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A companion piece to the luminous Workingman’s Dead, American Beauty is an even stronger document of the Grateful Dead’s return to their musical roots. Sporting a more full-bodied and intricate sound than its predecessor thanks to the addition of subtle electric textures, the record is also more representative of the group as a collective unit, allowing for stunning contributions from Phil Lesh (the poignant opener, “Box of Rain”) and Bob Weir (“Sugar Magnolia”); at the top of his game as well is Jerry Garcia, who delivers the superb “Friend of the Devil,” “Candyman,” and “Ripple.” Climaxing with the perennial “Truckin’,” American Beauty remains the Dead’s studio masterpiece — never again would they be so musically focused or so emotionally direct. – Jason Ankeny

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