Dry as a Bone / Rehab Doll

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Total Tracks: 16   Total Length: 58:18

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Douglas Wolk

eMusic Contributor

Douglas Wolk writes about pop music and comic books for Time, the New York Times, Rolling Stone, Wired and elsewhere. He's the author of Reading Comics: How Gra...more »

03.15.10
The primordial slime out of which grunge crawled
Label: Sub Pop Records

Here's the primordial slime out of which grunge crawled: the album, EP and compilation tracks that comprise the discography of a 1984-1987 metal-ish punk band (or perhaps a punkish metal band), named after a Washington State serial killer and populated by hair-tossing dudes who went on to Pearl Jam, Mudhoney, Temple of the Dog, Mother Love Bone and Love Battery. As you might expect, the songwriting isn't quite there yet, and the recording has a great big mid-'80s drum sound that hasn't dated well; Green River were more about attitude and style than craft. (The two covers here are the Dead Boys' "Ain't Nothing to Do" and David Bowie's "Queen Bitch," both by artists who invented dangerous identities for themselves — it's clear why a band interested in transgression, and trying to hone a sound that didn't quite exist yet, would be drawn to them.) But there are plenty of hints of what was to come, especially in Mark Arm's guttural yowl — his future Mudhoney bandmate Steve Turner co-wrote "Swallow My Pride," the song here that points the way forward most.

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Tales of Terror Cover!

Grover

Great music...I especially love it because the song "Ozzie" is a cover of a song by legendary Sacramento punk band Tales of Terror.

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They Say All Music Guide

Collecting Green River’s second and third releases, plus three rare tracks, Dry As a Bone/Rehab Doll is a near-definitive look at the Seattle band that, along with the Melvins and Soundgarden, virtually invented grunge. Out of all the bands that branched out from the Green River family tree, the originals sound most like Mudhoney upon first listen. That’s due both to their punky aggression and the fact that Mark Arm’s signature sneer is firmly in place. However, the differences reveal themselves rather quickly. Where Mudhoney was sort of the Ramones of grunge — their best material consisting of simple, catchy, highly similar garage rockers — Green River’s instrumental attack was much more intricate and complex. That’s because it was anchored by the inseparable team of guitarist Stone Gossard and bassist Jeff Ament, whose work here mixes the swagger of ’70s hard rock (particularly Aerosmith) and the ferocity of hardcore punk. Melody and hooks aren’t exactly Green River’s strong point; their music gets over on straight-from-the-gutter attitude, kicking up a filthy, distorted racket punctuated by Arm’s nauseous moan. Since Dry As a Bone/Rehab Doll is more energetic and less murky than many proto-grunge artifacts, it’s arguably the most effective and enduring building block in the music’s early evolution. – Steve Huey

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