Honey In The Lion's Head

Rate It! Avg: 4.0 (52 ratings)
Honey In The Lion's Head album cover
Album Information

Total Tracks: 12   Total Length: 47:32

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Still Greg Brown

cezzium

Everyone changes and Greg has to. What the heck do folks want? I like this one and wish there were more.

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And Greg Own's His Music

jazzmine

You should realize that Greg's own label pulled his music off eMusic.

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Where is all the Greg Brown?

kuczwanski

After reading the reviews here and doing some searching for Greg Brown and other artists, I will definitely NOT be using emusic.com.

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I agree!

MontysDriver

Emusic used to have half a dozen great albums by Greg, and now there is this one and his newest, which isn't as bad as this one, but not as good as the ones that were on emusic. If you like Greg Brown, emusic is not the place to find what you need.

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What a disappointment

RayC

Not only is this one of Greg Brown's weaker efforts, but all his really great stuff that was avialable through emusic.com is gone. This is a serious warning about emusic.com. You cannot rely on your "downloads" as a backup for your collection. If the artist is pulled, you'll lose the music you paid for. Back them up on your own system.

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They Say All Music Guide

Greg Brown built his rep as one of the mover and shakers on the contemporary folk scene with his detailed writing and deep baritone. Honey in the Lion’s Head takes a detour from his usual fare by delving into a dozen traditional songs from “Old Smokey” to “Railroad Bill.” The arrangements, with an exception or two, are straightforward enough. A nice blend of acoustic guitars, banjo, and bass will allow most folk purists to put aside their singer/songwriter prejudices. Even with cozy arrangements, however, the final mix is sprightly enough to entice listeners who appreciate a clean, layered sound. Brown’s deep, ragged voice also evokes “authentic” folk music, as though he’d just been discovered in some Appalachian holler by a folklorist. Honey in the Lion’s Head gets points for attempting to put some life into the most familiar of folk tunes including “Down in the Valley,” and “I Don’t Want Your Millions Mister.” Unfortunately, most of the songs are taken at a sluggish pace, as though Brown was trying to see how long he could make them. “Down in the Valley” and “Old Smokey” wear out their welcome in three minutes, but stick around for five. Despite Brown’s lethargic pacing, fans of traditional music will be glad someone dusted off these venerable songs and put a bit of life in them. – Ronnie D. Lankford, Jr.

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