Jamboree

Rate It! Avg: 4.0 (21 ratings)
Jamboree album cover
Album Information
  • Artist: Guadalcanal Diary (See All Albums by Guadalcanal Diary)
  • Date Released: Feb 8, 2005

  • Genre: Rock/Pop, Style: Commercial Alternative, Alternative

  • Label: Rhino/Elektra

Total Tracks: 12   Total Length: 37:02

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amazing album

wildwoodweed

This is an amazing album. The songwriting is top-notch and the musicianship/recording is icily precise. The sound of the drums is especially tasty . . .

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Back to 80s

lankus37

This is the most elusive of all the Guadalcanal Diary material, and arguably the best. For years it was only available on cassette or LP. If you do not know Guadalcanal Diary sample Michael Rockefeller, Dead Eyes, or Jamboree. Will not disappoint for 80s Alt(hate that term, and well worth the download.

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They Say All Music Guide

The first six selections on this release encompass some of the best R.E.M.-style songs never written by that band. “Michael Rockefeller” is a breathlessly rushed masterpiece with echoes of that other Athens band’s “West of the Fields.” “Pray for Rain” is a howling, intense number that snitches the opening two chords of Jefferson Airplane’s “3/5 of a Mile in 10 Seconds” for its own beginning. Weighty concerns about religion are voiced in the ringing “Fear of God;” this song borrows the opening guitar riff from “I Call Your Name” by the Beatles. “Spirit Train” is a slower, intensely foreboding selection that suggests a highly charged version of R.E.M.’s “Old Man Kensey.” What follows all this are a clutch of songs with bizarre or puckish lyrics in a wild array of pop styles. “T.R.O.U.B.L.E.” is a hot jazz-influenced track with goofy lyrics about sibling rivalry. “I See Moe” is a jumpy country-punk number that compares the speaker’s personality dysfunction to that of the Three Stooges. “Dead Eyes” is a thundering, hard-rocking cut with threatening verses about unknown terrors and things that go bump in the night, resulting likely from too much booze. And “Cattle Prod” has to go down as one of the strangest pop songs ever written, a grindingly grandiose number with arena-rock touches that has creepy lyrics about bestiality. This is an excellent, if sometimes bewildering album very much worth hearing. – David Cleary

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