Click here to expand and collapse the player

The Mountain

Rate It! Avg: 4.0 (654 ratings)
The Mountain album cover
The Mountain
Could Be So Happy
Early in the Morning
Hold Your Head High
Out At Sea
Nothing Seems the Same
Wide Awake
So Quiet
Had To Go
Witchy Poo
Album Information

Total Tracks: 11   Total Length: 50:14

Find a problem with a track? Let us know.

Write a Review 29 Member Reviews

Please register before you review a release. Register

user avatar

Whole album listening


What a great sound! It's new enough to keep you paying attention and familiar enough that you feel it's already one of your favorites you dug out of the stack and discovered again. If you are a fan of rock and wailing vocals, try this. I know I will enjoy this album for years to come.

user avatar

Current favourite


It is rare that I like every song on an album, but Heartless Bastards' The Mountain is that rare exception. Excellent. I particularly like Could Be So Happy and Early In The Morning, both quite different songs, both awesome in their own way.

user avatar

My top of 2009


This is my favorite album from 2009. It's a powerful record with soulful vocals and gritty rock.

user avatar

One of 2009's Very Best


This was my introduction to HB and I will definitely be following this band. Erika Wennerstrom has an amazing voice and is a strong song writer to boot. Lot's of variety...must downloads are Out At Sea, Early in the Morning, Could Be so Happy, and The Mountain. Heck...download it all.

user avatar

Review from my blog, ANTI-SNOB.com


Singer/founder/chief-songwriter Erika Wennerstrom sounds like a combination of Jack White and Nathan Willett with a story telling approach similar to Tracy Chapman. The songs pass by one by one often leaving the listener questioning if he/she is witnessing an original score or a mixed collection of redone traditional and obscure folk numbers. "Out At Sea" is a very catchy track and kept me up a few nights trying to guess what songs the melody of the vocals were borrowing from.

user avatar

Still one of the best of 2009


I find myself constantly coming back to this album. The voice, the guitar work etc. It seems to flow perfectly. It is different then their previous albums.That is a good thing. I find their early work very hit and miss. A band trying to find thier way. They have. This album is a treat all the way through. The Mountain (track 1) is a top ten track of the year in my humble opinion.

user avatar

Disjointed, though with some great tracks.


The Heartless Bastards experiment with some new sounds in this album. Straying from their last albums alt-blues roots, at times they delve into a more stripped-down, even folksy sound that really features Wennerstrom's vocal ability, and reminds me of some of Julie Doiron's work. Though, for a couple tracks they do return to their earlier rock sound that ought to draw comparisons with The White Stripes (see Early in the Morning). There are a couple truly outstanding tracks (opener, tracks 2 and 4) but the album as a whole seems hastily constructed, disordered and at 50 minutes, it is tough to swallow in one sustained listen.

user avatar

Let it brew for a bit. . .


Like a good hand-crafted beer. At first listen, I didn't think I'd like this album nearly as much as HB's other two. It didn't have the same drive, the same punch as the first two. But after repeated listens, I realized that I was listening to this album 2 or 3 times a week and not getting tired of it. Where the first two albums kind of pummel you with a wash of guitar, and Erika's voice (that voice!), they're fairly flat, dynamically, and can wear you down with their urgency (although All This Time let up just a bit). This album has so much depth, and range, and truly great songs that would suffer under layers of distortion. The Mountain is not so much an incremental growth, but rather an evolutionary leap in HB's sound.

user avatar

again excellent


these guys are too good to be only linked by E-music through other bands with a woman in the lead. it isolates them.

eMusic Features


A Field Report from the New Country

By Lenny Kaye, Contributor

Whither country music - or will it wither? Most of the c&w on strut at the recent CMA awards had more to do with 80's power-rock and 00's teen-pop than the morning farm report. In recent years, an alt-country movement in such Willy-billy suburbs as Brooklyn's Williamsburg has waved a country flag, along with a taste for trucker's caps and Pabst Blue Ribbon. This isn't a sudden outcropping on the range; ever since Gram Parsons… more »

They Say All Music Guide

After cutting their first two albums as a lean but muscular power trio, the Heartless Bastards have grown into a somewhat different creature on their third LP, The Mountain. Vocalist and guitarist Erika Wennerstrom is the only survivor from the group’s original lineup, and after leaving behind her hometown of Cincinnati, OH for Austin, TX, she’s assembled a new version of the Heartless Bastards. Along with new members Billy White on bass and Doni Schroader on drums, The Mountain features violins, pedal steel guitar, mandolin, and banjo as well as a few guest guitarists, and though this music is still rooted in Wennerstrom’s full-bodied vocals and thick, no-frills guitar work, The Mountain is a more introspective and rootsy sounding album than this group has released to date. Wennerstrom has a voice that can shake apart a room when she’s of a mind, but she takes a more subtle approach here, slipping in a few acoustic tunes that allow her to explore the softer side of her instrument, and “So Quiet” and “Had to Go” could pass for a new millennium version of the sort of music Harry Smith would dig up on a regular basis. But if The Mountain is a more diverse set than the old Heartless Bastards gave us, it’s still rooted in the same emotionally direct songwriting and performing that is this band’s trademark, and for all that’s changed with the band, Wennerstrom has held on to her core virtues — this is fierce, heartfelt rock & roll that tells stories you can believe in and lets the music sing out with a power that’s all the more compelling for being firmly rooted in the real world. – Mark Deming

more »