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Leg End

Rate It! Avg: 4.5 (47 ratings)
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Leg End album cover
01
Nirvana For Mice
4:56
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02
Amygdala
6:57
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03
Teenbeat Introduction
4:32
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04
Teenbeat
6:47
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05
Extract from "With the Yellow Half-Moon and Blue Star"
3:38
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06
Teenbeat Reprise
5:04
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07
The Tenth Chaffinch
6:04
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08
Nine Funerals of the Citizen King
5:30
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Album Information

Total Tracks: 8   Total Length: 43:28

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Lovely, Jazzy Prog Rock

ChristyMathewson

I'd bought "The Young Person's Guide to King Crimson" about 1977 or so. Bobby Fripp included a review of a KC album in which the author compared Crimso to Henry Cow. Not too long after I picked up HC's "Leg End." To me "Nirvana for Mice" was the most wonderful prog rock song I'd ever heard. It was jazz! Or was it? I dashed off a letter to Fred Frith, the guitarist, telling him of my infatuation. He sent the most kind letter back, including the chords to "Nirvana." Under the spell of Henry Cow, I began to collect Miles Davis and Coltrane in earnest. My life began anew.

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Great Album with only a few weak spots

Music Lover

Three styles of music here. Composed sections, composed frameworks in which improvisation occurs, and free improvisation. Excellent music in the first two cases, fair to good in the latter case. Don't miss Nirvana for Mice, Amygdala, Teenbeat and Teenbeat Reprise (the intro, though, is free improv)

They Say All Music Guide

Political astuteness aside, Henry Cow’s Leg End is simply a busy musical trip, comprised of snaking rhythms, unorthodox time signatures, and incongruous waves of multiple instruments that actually culminate in some appealing yet complex progressive rock. Here, on the band’s debut, both Fred Frith and woodwind man Geoff Leigh hold nothing back, creating eclectic, avant garde-styled jazz movements without any sense of direction, or so it may seem at first, but paying close attention to Henry Cow’s musical wallowing results in some first-rate instrumental fusion, albeit a little too abstract at times. Through tracks like “Amygdala,” “Teenbeat,” and “The Tenth Chaffinch,” it’s simply creativity run amok, instilling the free-spiritedness of the late ’60s into this, a 1974 album. The techniques are difficult to follow, but the stewing that emerges between the piano, guitar, flute, and percussion is so animated and colorful, it actually sounds pleasant as a whole. Chris Cutler, who came over from Egg in 1972, lends his uncommitted, self-governing brand of drumming to the album to help culminate the frenzy, and Leigh’s tenor flute does add some extraordinary musical fabric to each of the album’s ten cuts. “Nine Funerals of the Citizen King” is one of the easiest pieces to listen to, while the short but amiable “Bellycan” is an excerpt removed from the group’s work with the Greasy Truckers, performed a year earlier. In 1974, Henry Cow released Unrest, which contains the same vigor and spontaneity as Leg End, only it didn’t receive the same amount of attention. Shortly after, they united with Dagmar Krause and the rest of Slapp Happy to further their unconventional route. – Mike DeGagne

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