Many in High Places Are Not Well

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Many in High Places Are Not Well album cover
Album Information

Total Tracks: 7   Total Length: 48:02

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H.i.M. innovates new jazz sound

Muzexpert

Blend of guitar and horns merging complex rhythms with world percussion make an avant, original sound which is best described as "future jazz". All tracks refreshingly non-lyrical, with voices serving as instruments which shadow and enhance. Composer Scharin and guitarist LaRue bring their Chicago cutting edge and Denton, Texas jazz school influences to this superb workout. Huge overseas following has emerged from extensive touring. Live performances are well known for crowd pleasing, extended play and improvizations.

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They Say All Music Guide

H.I.M.’s Douglas Scharin took a brief break after 2001′s New Features, then regrouped H.I.M. with some familiar faces as well as a few new ones for the group’s second record for Bubble Core, 2003′s Many in High Places Are Not Well. Collaborators include Joshua LaRue, Fred Erskine, and Rob Mazurek, and vocalist Christian Dautresme (from the Letter E). The band is workmanlike and innovative; proving themselves capable of highly percussive jams with the motorische qualities of Can and offer many glimpses of polyrhythms (a two-drummer attack helps here). For the opener, “Elementals,” H.I.M.. sounds like an Afro-beat group playing against each other, with a horn section following not Fela Kuti’s lead, but Stereolab’s. Dautresme’s performance on “Slow Slow Slow,” along with “The Way Trees Are” are the highlights of the album; with warmth coming from the slinky basslines and nearly wordless vocalizing; while at the same time, a coolness comes into the mix from the horn section, a shimmering guitar, and a two-man drum kit. – John Bush

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