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Raz-O-Niaz

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Raz-O-Niaz album cover
01
Chaharmezrab
3:51
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02
Daramad
5:46
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03
Sama-e-Aseman
7:19
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04
Oshaq
2:59
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05
Kereshmeh, Foroud
2:23
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06
Tasnif-e-Ahou-ye-Vahshi
6:36
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Raz-O-Niaz
5:30
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08
Shoushtari
2:50
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Bakhtiari
4:38
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Masnavie
3:46
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11
Bayateh Raj-e
1:38
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Chaharmezrab, Foroud
2:40
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13
Tasinf-e-Bi Ta Gol
5:47
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Album Information

Total Tracks: 13   Total Length: 55:43

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Universally intoxicating

KrazyProfessor

Hossein Alizadeh has done for Classical Iranian Music what Ferdowsi has done for the Persian Language. Many thanks.

They Say All Music Guide

Raz-o-Niaz is a large-scale work for singer and Persian orchestra divided into two major parts, each of which is divided into a half-dozen smaller sections. The Avaz or singer is Ali Reza Eftekhari, whose husky low tenor voice is rich with feeling. The 14-piece orchestra, the Shayda and Aref Ensemble, is directed by the composer, Hossein Alizadeh, who also plays the tar and setar (Middle Eastern lutes). Interestingly, four of the musicians are not ethnic Persians but Iranian Kurds from the Kamkars family ensemble.
The liner notes explain the significance of the different sections of music fairly well and the nature of the instruments very well. Each of the major parts starts with an orchestral prelude after which the singer makes his entrance. Alizadeh observes the traditional rules of Middle Eastern composition whereby there is no harmony or counterpoint, but he stretches those rules to allow pedal notes, variations on melodies, and elaborate ornamentation. So the music may be monophonic, but it’s never monotonous. Standout sections include the first orchestral prelude, which has an almost jazzy rhythm and development, and the second vocal section entitled “Song of Heavens,” which has an air of muscular joy — very straight-ahead, no compromises or worries. Eftekhari sounds a bit like José Carreras here. Something of the same air is found in the concluding section, a song entitled “Let’s Rejoice,” wherein the singer hits even greater emotional highs through anthemic refrains. There are also instrumentals to behold, such as the kamancheh trio of section five and the title section, wherein the setar does a passable imitation of an electric guitar. Raz-o-Niaz is a very approachable work of Persian music and can be safely recommended to those who are new to the genre. To those who are accustomed to music of the region, Raz-o-Niaz will be an album of pure delight. – Kurt Keefner

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