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To Etta With Love

Rate It! Avg: 4.5 (14 ratings)

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To Etta With Love album cover
01
It's Magic
5:18
02
Love Walked In
6:20
03
Don't Misunderstand
4:43
04
I Should Care
4:55
05
Don't Go To Strangers
5:22
06
For All We Know
6:00
07
Since I Fell For You
6:31
08
Ain't Misbehavin'
4:31
09
What A Wonderful World
7:11
10
Gee Baby Ain't I Good To You
3:33
Album Information

Total Tracks: 10   Total Length: 54:24

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Mellow Madness ala Tenor

Harmony3001

If you like soft, classic jazz (think John Coltrane's Ballads, Brandford Marsalis' Eternal); this is definately one for you. I can't stop thinking this music was created as a memory, while directly appealing to the 'red wine/soft couch/late night' crowd. This is simply Mellow Madness ala Tenor. A plus is Paul Ballenbeck, who plays almost exactly like Wes Montgomery did on his 60's Verve ballads. Recommended if soft classic jazz is your cup of tea/wine.

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From The Heart

raybird

A tribute to Etta from a big-toned elder statesman of the tenor sax.

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They Say All Music Guide

One of the longest-lasting and critically lauded partnerships in jazz, the duo of vocalist Etta Jones and tenor saxophonist Houston Person ran from a concert in 1968 to Jones’ death in 2001 on the same day their last album together, Etta Jones Sings Lady Day, was released. In tribute to Jones, To Etta With Love finds Person digging into various standards that Jones loved throughout her career. There is a melancholy, heartbreaking quality to these tracks. The fact that liner notes are included on an album without a vocalist only serves to further underline how much Jones’ personality and style inform every note Person plays. The journeyman’s warm, burnished tenor sound veritably weeps and more often soars through such classics as “Don’t Go to Strangers,” “For All We Know,” and “Gee Baby Ain’t I Good to You.” Backing Person here are the always sensitive talents of pianist Stan Hope, guitarist Paul Bollenback, bassist Per-Ola Gadd, and drummer Chip White. Much like the singer Person knew, To Etta With Love is an understated, moving, and swinging elegy. – Matt Collar

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