eMusic Review 0
Welcome oblivion, the first full-length album with Trent Reznor’s new band How to Destroy Angels, is both totally familiar and unlike anything Reznor has ever done. It’s dark, brooding and filled with angst, but the anger that drives Nine Inch Nails is mostly absent, replaced with a sense of urgent desperation, as if Reznor knows time is passing and he wants to explore new, challenging sonic avenues, much like his idol David Bowie.
At the end of “And the Sky Begins to Scream,” Reznor whispers, “I wanna tear it down to the ground and build another one.” The song follows this aspiration; it starts with a shower of fuzzy keyboard notes that flicker in and out as if emanating from a short-circuiting soundboard, before evolving into an alien soundscape of layered noises, and mid-paced beats and ethereal pop vocals by Reznor’s wife Mariqueen Maandig.
In part, How to Destroy Angels is the natural hybrid of Nine Inch Nails and the spacious, inventive film scores Reznor wrote with Atticus Ross for David Fincher. Ross is also a member of How to Destroy Angels, and he and Reznor continue to work with unsettling noises, ambient tones and dynamic arrangements. Yes, Reznor’s industrial arsenal is… read more »