Howlin' Wolf: His Best -Chess 50th Anniversary Collection

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Total Tracks: 20   Total Length: 54:57

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John Morthland

eMusic Contributor

John Morthland has been writing about music since the days of electronically rechanneled stereo and duophonic sound. His name has darkened the mastheads of Roll...more »

11.16.10
His music still shakes and startles
1997 | Label: Geffen

No matter how often you've heard the Wolf, his music still shakes and startles; it's as if he's grabbing you by the shoulders and demanding, "Listen to this." Greil Marcus once described his classic sides as sounding like race riots, with the instruments converging on the beat; the music was primal and seemingly anarchistic, but worked brilliantly. Wolf's harsh yet somehow understanding vocals and two brilliant lead guitarists — first the explosive Willie Johnson, then the scattershot Hubert Sumlin — provide such an extraordinary set of gems (many custom crafted by Willie Dixon) that it's pointless to single out particular titles.

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Howlin' Wolf His Best Chess 50th

Pablo's

Great tunes that do cover his many recordings. What a voice, and juke-joint menace.

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Howl at the moon...

Offbalance

Amazing. Far better than Zepplin ever wished they could be. So much edge, so much soul, and it still stands up better than almost anything produced today.

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With the exception of a vinyl compilation issued in the early ’80s (His Greatest Sides, Vol. 1), there’d never really ever been a single-disc Howlin’ Wolf best-of package available. That all changed with this entry in MCA/Chess’ 50th Anniversary series, a 20-track retrospective that serves as the perfect introduction to the man and his music, some of the very best the blues has to offer. While some naysayers will always decry the exclusion — or inclusion — of any given number of tracks on any artist’s best-of compilation, it’s pretty hard to fault what’s been collected here. Starting with the two-sided smash that brought him from Memphis to Chicago (“Moanin’ at Midnight” b/w “How Many More Years”), this compilation hits all the high points and essential tracks, illustrating how his music developed into the mid-’60s. Eleven of the 20 tunes on here are either written or co-written by Willie Dixon, and Wolf’s original takes on “Back Door Man,” “Spoonful,” “The Red Rooster,” “Wang Dang Doodle,” and “I Ain’t Superstitious” are truly the definitive ones, a place where personality and material symbiotically become as one. Even if you have already have this material, die-hard Wolf fans — and audiophiles in particular — will want to investigate this package as the master transfers used here are absolutely stunning, with stereo mixes of “Killing Floor,” “Built for Comfort,” “Hidden Charms” (with the full-length Hubert Sumlin guitar solo), “Shake for Me,” and the long version of “Going Down Slow” being particular standouts. This is a set so essential that it should be on everyone’s Top Ten first purchases in building the perfect blues collection. While Wolf’s music will take you to many places (both musically and spiritually), here’s where you start to absorb it all. [His Best contains the same tracks as the 2007 Geffen release The Definitive Collection]. – Cub Koda

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