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About Them Shoes

Rate It! Avg: 4.5 (48 ratings)
About Them Shoes album cover
01
I'm Ready
4:24 $0.99
02
Still A Fool
5:24 $0.99
03
She's Into Something
3:12 $0.99
04
Iodine In My Coffee
5:07 $0.99
05
Look What You've Done
3:39 $0.99
06
Come Home Baby
4:36 $0.99
07
Evil
4:50 $0.99
08
Long Distance Call
5:33 $0.99
09
The Same Thing
3:51 $0.99
10
Don't Go Further
3:08 $0.99
11
I Love The Life I Live, I Live The Life I Love
3:57 $0.99
12
Walkin' Through The Park
3:29 $0.99
13
Little Girl, This Is The End
3:38 $0.99
Album Information

Total Tracks: 13   Total Length: 54:48

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eMusic Review 0

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Fred Goodman

eMusic Contributor

04.22.11
Hubert Sumlin, About Them Shoes
Label: IndieBlu Music / Entertainment One Distribution

As if the mere presence of legendary blues guitarist Hubert Sumlin weren't enough to make for a promising record, About Them Shoes is an unheralded rock all-star session that features Keith Richards, Eric Clapton, Levon Helm, David Johansen and blues harp master James Cotton. Sumlin, who made his mark with the great blues singer Howlin 'Wolf and also worked with Muddy Waters, is the kind of musical master who's all too frequently just off the radar of mainstream music fans — even though super-guitarists from Jimmy Page to Jimi Hendrix have sung his praises. What's particularly satisfying here is that Sumlin, despite his advanced age and the presence of such accomplished accomplices, still sounds great and does the lion's share of the lifting. Conceptually, the album focuses on interpreting the songs of Muddy Waters, and the two tracks with Richards, the raw "Still a Fool" and an acoustic version of "Little Girl, This Is the End," define the wide-ranging scope of the album. Sumlin's two tracks with Clapton, "Long Distance Call" and "I'm Ready," are as fine as any blues renditions Clapton has laid down on his own in recent years, while the Johansen track, "The Same Thing," flashes with… read more »

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Absolutley Great!!!!!!!

Muddy

This is a freakin' great album! This is the classic post WWII chicago blues sound that is rapidly going away. These are all great Muddy Waters songs done to perfection. The bonus is that this is modern recording with today's sound quality as oppossed to the 50's and 60's original recordings that don't have today's hi-fi standards. Many of the musicians on the album played with Muddy so they were taught by the master how to get "that sound". Cotton is brilliant on harmonica. Margolin on guitar was in Muddy's band during the later part of Muddy's career, and Margolin was a serious student of "the classic sound" probably keeping this album honest. Most important is Hubert Sumlin, a virtouso blues guitar player most know for his stunning work with Howlin'Wolf. Sumlin influenced Hendrix,Clapton, Page and a legion of guitar player.

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Got Mud on Them Shoes

BlueTurtle

Sumlin is backed up by an all-star lineup on this great pure blues album. Eric Clapton is featured on "I'm Ready" and "Long Distance Call," Keith Richards on "Still A Fool" and "Little Girl, This Is The End," and David Johansen on "The Same Thing" and "Walkin' Through The Park." The great blues harpist James Cotton makes his presence known on "She's Into Something." There is Levon Helm on drums throughout most of the album, David Maxwell on piano, Paul Oscher on harp, Mudcat Ward on bass, and Bob Margolin on guitar. This album was conceived and produced by Keith Richards as a tribute to Muddy Waters. Sumlin as well as Cotton, Oscher, and Margolin were members of Waters' bands. Their former boss would be proud to hear what they've done here with his songs. The album rocks with the spirit of 1950's Chicago blues - a must-have for any Hubert Sumlin or Muddy Waters fan.

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They Say All Music Guide

Hubert Sumlin’s About Them Shoes is a refreshingly pure blues recording which comes at a time when others are distorting the genre with various “contemporary” elements. The songs are from the repertoire of Muddy Waters — seven tunes written by Waters (McKinley Morganfield), four by Willie Dixon, one from Carl C. Wright, and a beauty by Sumlin to close things out. Dixon’s “I’m Ready” starts things off with Eric Clapton on lead guitar and vocals, the drums of Levon Helm, and Paul Oscher’s oozing harmonica filling in nicely with David Maxwell’s piano. It’s bouncy and shows a side of Clapton not often present on his own albums. Sumlin’s lead is tasty, giving way to Oscher’s equally gritty wail. Waters’ own “Still a Fool” has Keith Richards on lead vocals and sharing the guitar chores with Sumlin. It’s got that Rolling Stones-ish ragged edge that producer Rob Fraboni knows so well; Fraboni’s guiding hand never gets in the way of the musical process that flows across the CD. James Cotton’s harp comes in to spice up “She’s Into Something,” which features percussionist George Recile on lead vocals and Helm back on the skins. Helm plays drums on eight of the 13 tracks, Recile on four, with the final number, Hubert Sumlin’s only original, “Little Girl, This Is the End,” closing the set without percussion. “Little Girl” features a charming interplay between Keith Richards and Sumlin’s guitars, while Paul Nowinski adds a full-bottom bass to round things out. It’s Sumlin’s only
vocal contribution to the disc, and that voice swims in Fraboni’s mix of upfront guitars. This particular song was premiered on Holly Harris’ Blues on Sunday program on December 15, 2002, a few months before the album’s release, and played next to the remastered “Love in Vain” from Let It Bleed, one could see why the distinctive Richards style is such an important component of the Rolling Stones’ success. The two Keith Richards tracks as well as the two contributions from Clapton will get immediate attention, and they do not disappoint, but Blondie Chaplin’s vocal on “Look What You’ve Done” as well as Paul Oscher’s on “Come Home Baby” deserve to not get lost in the shuffle. Nathaniel Peterson and George Recile also get to take the mic (with David Johansen about to add some vocals at press time), but none of the changing voices disrupt the vibe or take away from the fun. These blues aren’t sad, they are charging, energetic performances from musicians who catch the groove and drive it for all it’s worth. Maxwell’s piano on Waters’ “Come Home Baby” adds frills behind the guitars of Sumlin and Bob Margolin, while Oscher’s harmonica just screams. It’s a stunning blend of tension and dynamite, and one of the disc’s highlights. About Them Shoes could have taken the marquee talent and gone for a glitzy platform to bring Hubert Sumlin into the mainstream. Instead, they dive headfirst into what this music is all about, and in doing so have come up with a mini-masterpiece. It’s one of those records that can run endlessly in the CD player and keep entertaining. Hopefully it will expand the audience of this deserving virtuoso. – Joe Viglione

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