Between Two Worlds

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Between Two Worlds album cover
Album Information

Total Tracks: 8   Total Length: 42:34

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MUSIC TO BENCH PRESS TOO

shears

THIS GETS YOU GOING. PURE SIMPLE KICK ASS METAL. ENOUGH SAID

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Great album

Harward678

Take immortal, slow it down a little, remove the blast beat attack, but keep the quality musicianship, songwriting and vocals and you basically have I. The songs are not especially complex or technical, yet the vocals, driving guitar riffs and atmosphere keep you interested till the end. This album has a similar feel to Immortals "sons of northern darkness" in my opinion, but is more likely to appeal to people who are not necessarily fans of immortal or the black metal scene. Check it out.

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A Return for Immortal!

MarcusofDoom666

This is just terrific, one really gets the Immortal vibe, and the riffs and atmosphere created is excellent. The only complaint I have is that Abbath's voice is almost a clone for Lemmy at times, and I really don't care for Motorhead. Still, just a welcome and refreshing return for these guys!

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They Say All Music Guide

Citing equal amounts of inspiration from Bathory and Kiss, Norwegian supergroup I set out to bridge the chasm separating black metal and rock & roll (i.e., black & roll) — with their 2006 album, Between Two Worlds. And most listeners are bound to agree that they’ve succeeded, with memorable songs like “Warriors” and the title cut building upon simple but surprisingly high caliber rock & roll riffs, which are then threaded with evocative, often morose-sounding harmonies. Occasional bursts of double kick-drums launch other tracks like “The Storm I Ride” and the excellent “Cursed We Are” towards thrash territory, but don’t expect either of the two genres’ stylistic extremities; things like blastbeats or blues licks — these are exceptions, rather than the rule. Instead, it’s mid-paced material that rules the day here, with well-constructed power chords gaining majestic eloquence on additional standouts like “Mountains,” “Days of the North Winds” (featuring discreet synthesizer touches and a stellar guitar solo), and the respectfully executed Quorthon tribute, “Far Beyond the Quiet.” As for the vocals, I’s chief architect, Olve Eikemo (aka Abbath, of Immortal), still can’t sing in a traditional, melodic sense, so he retires his token black metal rasp in exchange for a throatier, Lemmy-style croak, which suits the proceedings just fine. In sum, Between Two Worlds isn’t likely to cross over into the pop charts anytime soon, but it contains plenty of inspired music, fit for fans of both black metal and underground hard rock. Almost makes you wonder whether the possibility of an Immortal reunion is even worth bothering with, when I becomes a viable alternative. – Eduardo Rivadavia

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