Levitate

Rate It! Avg: 4.5 (40 ratings)
Levitate album cover
Album Information

Total Tracks: 11   Total Length: 42:57

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santa claus is weird is a great song

papajup

one of the best idaho records throughout

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...

marklvermillion

This was the first Idaho record I bought. Downloading one track is not enough. This works as a whole...like a good record should.

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Beautiful music, but the lyrics could be better

PurloinedInPetrograd

I really like this album and I agree with the starryeyedboyz on their song recommendations. I must caution you, though, that the lyrics are downright silly in places, and Jeff's voice can be... grating is a nice way to put it. (In particular, I personally cannot stand listening to track 6.) That said, every time I'm on the District/Circle lines in London, I think of the Tube reference from "20 Years." And his voice often sounds just right given the emotion he's trying to convey. If you like the sample eMu has for "For Granted," you should be OK. Other than that (heh), I really do like this album. It's catchy in places, beautiful in others. It's my favorite Idaho by far.

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Superbly Haunting

winterhunt

Jeff's a friend and a really, really good guy. He did the music for my last film...it was beautiful, so is this....go get all his other albums they are all heartbreakers

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Devastating Beauty

starryeyedboyz

My favorite Idaho. You gotta download (at least) Wandering the Fields; 20 Years; Orange; On the Shore; Levitate (1 & 2). Like being in that place between wakefullness and a good dream, not wanting to fully awaken.

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They Say All Music Guide

The first two songs on an album are often deceptive, representing the whole less effectively than any given pair of selections deeper in the sequence. Judging from the rumbling guitar intro of the opening “Wondering the Fields” and the strained seething of the following “20 Years,” Idaho’s Levitate sounds like it could be a return to the stormy, full-band Three Sheets to the Wind. But it turns out to be a ruse, a trick played by Jeff Martin to cast the listener into a web of piano ballads and wispy instrumentals. Often basing the songs on his classically trained piano talents, his haggard voice, woozy and hazy tape effects, and gentle percussive shuffles, the majority of this album is actually Idaho at their least ornamented, with more open spaces than ever. Further proof that the busier opening songs are misleading is the personnel: Martin strips it down like early Idaho, only enlisting occasional drumming from Alex Kimmel, a hardcore fan who sent Martin a tape of his playing and was asked to contribute. Otherwise, everything heard is Martin in his full ragged glory. In more than one sense, Levitate is the perfect title for an Idaho album. The releases are carrying more atmosphere with each turn, and Martin himself is hovering well above most of his hipper peers. – Andy Kellman

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