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The Unstable Molecule

Rate It! Avg: 4.5 (36 ratings)
The Unstable Molecule album cover
01
Kryptonite Smokes The Red Line
3:26 $0.99
02
Beneath The Undertow
5:52 $0.99
03
La Jetee
6:15 $0.99
04
Phonometrics
5:20 $0.99
05
Prince Namor
7:26 $0.99
06
Audio Boxing
2:44 $0.99
Album Information

Total Tracks: 6   Total Length: 31:03

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love this!

woodsport

a little miles, some nice beats, heavy atmospherics. really well done. i have to say, nice cover art too.

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Get This!

rhymeskeema

You might not believe it was recorded in the late 90s, but that is because you are already steeped in hip hop and breaks and movies soundtracks... this record is the direction to where I would have loved to see all jazz move, but alas, it is not up to me... download for smooth ambience witht just enough intensity to set the mood for a date or dinner party. You will not regret.

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They Say All Music Guide

Isotope 217, one of Rob Mazurek’s numerous Chicago jazz side projects, finds itself in a precarious position somewhere between post-rock and jazz. Isotope grew out of weekly jam sessions around the Chicago area and are put on record for the first time. Recruiting members of Tortoise (Dan Bitney, John Herndon, and Jeff Parker) for this effort, there is a pronounced lo-fi vibe, which is counteracted by Mazurek’s jazz ambition. The end result is an album that is neither straight-ahead jazz or space-rock, but a quirky, funk-flavored, astute musical venture. Tracks like “Kryptonite Smokes the Red Line” and “La Jeteé” explore mellow spaces and employ the uses of varied instrumentation including cello and other strings. “Audio Boxing” and “Beneath the Undertow” rely on catchy horn arrangements and precise construction, while providing a counterpoint to the subdued nature of the other tracks. The Unstable Molecule will satisfy anyone who has a taste for out of the ordinary jazz, and an inclination toward funk would not hurt either. It provides a consistent listen, but must be understood as a bridge between two genres. It is a serious effort to assimilate a post-rock sound with contemporary jazz, and it succeeds well. – Marc Gilman

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