I Love Guitar Wolf...Very Much

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I Love Guitar Wolf...Very Much album cover
Album Information

Total Tracks: 13   Total Length: 41:38

eMusic Features

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Don’t Forget (The Rest of) The Motor City

By John Morthland, eMusic Contributor

Everybody knows Motown was great, but few realize what an incubator the entire City of Detroit was for soul music in its heyday. For each artist on Berry Gordy’s label there were several more just as good who went with another major, or with a smaller, local indie. Some made their names in r&b, vocal groups or gospel before evolving into soul; others started in soul but had their greatest impact in funk. But even… more »

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eMerging Artists

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Rising Tide of Female Jazz Singers

By Dan Ouellette, eMusic Contributor

While the legendary voices of such jazz icons as Billie, Ella and Sarah still ring true, subsequent generations of female jazz vocalists have taken the music in new directions, especially in the '90s, ranging from Cassandra Wilson's new-standard caress to Diana Krall's classics with a twist. Taking their lead, young singers over the last decade have been swinging the vocal tradition onto a new plateau with a pop sensibility. In the mix are tunes by… more »

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Daptone Radio

By Daptone Records, eMusic Contributor

This mix is not for the faint of heart, so all you groovy geezers take it easy with this one, and let the Daptone crew guide you through a soulful journey of some of our favorite party starters, and late night movers. Get ready, cause we're gonna swing folks. There's a Happening going down in Bushwick, and we here at Daptone Records would like to share it with you. You don't have to be hip, but… more »

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Townfolk Hip-Hop

By Tambi Younes, Label Relations Coordinator

Nirvana and Pearl Jam. This is who you'll hear about when the topic of Seattle's music scene is brought up in a historical context. It makes sense. Alternative music has always been the face of the Seattle scene. But before Kurt and Eddie, there was Ray and Quincy and Jimi. Seattle has soul, and the hip-hop community in the 206 is the living proof. They love their hometown and the music reflects that. "Townfolk Hip-Hop"… more »

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Teenage Graceland

By Wayne Robins, eMusic Contributor

After Elvis went into the Army and before the British Invasion, the years 1958-63 were rock's forgotten years. But they were the years that shaped the musical tastes of baby boomers and of acts from the Beatles and Rolling Stones to Bruce Springsteen and the Ramones. Hear the dance sensations, the one-hit-wonders, the girl groups and doo-wop singers, surfers and rockabilly twangers, the birth of Motown, the evolution of R&B into soul and so much… more »

They Say All Music Guide

Arguably Japan’s greatest rock & roll band, Guitar Wolf set a new standard for sheer mania in the garage rock/punk axis — clad in matching black leather and flailing at their Ramones-inspired songs with a fury and passion that could power a medium-sized city, guitarist Seiji, bassist Billy, and drummer Toru were the sort of band less interested in chops than in diving into their rock & roll as hard and as deep as they could, and if that meant leaping into their audience and onto their amps or pushing the needles so far into the red in the recording studio that engineers declared they played louder than was physically possible, then that’s what they were willing to do. Guitar Wolf’s full commitment to their music, and the fervent brilliance with which they attack their punk/garage/rockabilly hybrid, has earned them a small but mighty following outside the Land of the Rising Sun, and a dozen U.S. and U.K. bands (plus one group of Japanese interlopers) pay homage to the Wolf with the compilation I Love Guitar Wolf: Very Much. In the spirit of Guitar Wolf, much of this album is proudly lo-fi and blazingly loud (with a special shout-out going to Total Dork, whose version of “Shinkansen High Tension” is mastered noticeably louder than the rest of the disc), and the artists on board go out of their way to match the frantic spirit of the originals. While Lightning Bolt, Jim O’Rourke, and Total Dork kick out wildly noisy takes that match the fuzzy punch of the originals, most of the acts put the stamp of their own personality on the tunes while still honoring the classic Guitar Wolf intensity, with the blues-shot sway of the Porch Ghouls and the Jon Spencer Blues Explosion, the hard rock swagger of the Wildhearts, the old-school punk skank of Snuff, and the proto-stoner throb of J Mascis meshing best with these songs. This album appears at a turning point in Guitar Wolf’s history — bassist Billy died on March 30, 2005, while this project was already in the works, and while Seiji and Toru have pledged to continue, I Love Guitar Wolf: Very Much not only helps to sum up the greatness of the band’s first era, but serves as a vital shout-out to Guitar Wolf when they could probably use it. It won’t replace your copy of Jet Generation, but it’s a loving and appropriately crazed tribute to a one-of-a-kind rock band. – Mark Deming

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