Action (The Rudy Van Gelder Edition)

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Action (The Rudy Van Gelder Edition) album cover
Album Information
  • Artist: Jackie McLean (See All Albums by Jackie McLean)
  • Date Released: Jun 29, 2004

  • Genre: Jazz, Style: Traditional

  • Label: BLUE NOTE

Total Tracks: 5   Total Length: 38:15

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Kevin Whitehead

eMusic Contributor

05.18.11
Jackie Mac in his glorious prime
2004 | Label: BLUE NOTE

No Blue Note musician personified the home of hard bop's response to the avant-garde like alto saxophonist Jackie McLean, who made a streak of early '60s LPs that straddle stylistic divides. Some new cats played beboppy melodies and then blew free-style; on 1964's Action, as often in the period, McLean blasts the twisting title tune with free jazz energy, then improvises on the underlying chords with like a regulation bopper — a challenge both ways. Bop king Charlie Parker was his boyhood idol — hear the standard ballad "I Hear a Rhapsody." But McLean had his own vinegary tone and pushy intonation that pop out of the speakers, as on his sorta-blues "Hootnan," kicked by drummer Billy Higgins's swinging percolations. Bobby Hutcherson's flexible vibes echo his amazing malletboard-spanking on Eric Dolphy's Out to Lunch, or show a gentler, Milt Jacksony side, as on the crackling trumpeter Charles Tolliver's daydreamy ballad "Wrong Handle." The springy bassist is Cecil McBee, two years before he made his reputation with Charles Lloyd's quartet. Action is Jackie Mac in his glorious prime.

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They Say All Music Guide

This recording, whose music has been reissued as part of a Mosaic Jackie McLean box set, has several selections that are quite fascinating. McLean (along with trumpeter Charles Tolliver, vibraphonist Bobby Hutcherson, bassist Cecil McBee, and drummer Billy Higgins) plays free hard bop on “Action” (which does not have a specific set of chord changes to follow), a pair of Tolliver compositions (“Plight” being the most well known) and even the standard “I Hear a Rhapsody” (McLean’s feature). Only the bluesy “Hootnan” is a bit more conventional, although the solos are far from predictable. This album is full of exciting music that has long been overshadowed. – Scott Yanow

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