eMusic Review 0
The 1964 single "Out of Sight" was a huge breakthrough for James Brown on a couple of fronts. Nat Jones' slashing start-and-stop arrangement seemed to be carved out of negative space; its fadeout was a single phrase repeated, over and over, while Brown shouted and pleaded. For the next two years, Brown and Jones pushed further into that territory, with records like "Papa's Got a Brand New Bag" and "Let Yourself Go," and even scored one of his most enduring pop hits in "I Got You (I Feel Good)."
This '64-'69 retrospective of Brown's biggest hits really catches fire, though, with the 1967 arrival of bandleader Alfred "Pee Wee" Ellis. Beginning with that summer's landmark single "Cold Sweat," Brown and his band kicked out a string of the hardest, hottest, wildest dance records anybody had ever made, usually spread over two sides of a single. Old-fashioned melody went out the window: funk was about finding a perfectly sparse groove, locking into it, and making everything from Brown's voice to Jimmy Nolen's guitar a percussion instrument. When Brown yelled "give the drummer some!" on "Cold Sweat" and let Clyde Stubblefield loose, the breakbeat was born; when he built the near-instrumental vamp "Funky… read more »