eMusic Review 0
In the beginning, there was James Brown. The Godfather of Soul did not invent disco: No sole act did. Rather, it was constructed, recreated, and refined nightly by pioneering New York DJs of the late '60s and early '70s out of an ever-changing combination of funk, soul, jazz and rock. Brown's 1970 recordings with his new band, the J.B.'s, provided a cornerstone of the nascent experience that was not yet called disco. The melodic content of every element — even Brown's extraordinary voice — is narrowed to the point where it's all reduced to interlocking and incessant rhythm. Bassist Bootsy Collins and his guitarist brother Phelps "Catfish" Collins add that telepathic communication that blood relations sometimes provide: They played as one, and unity was one of Brown's many messages at this crucial point.
"Get Up (I Feel Like Being a) Sex Machine" delivered another. Just putting the word "sex" in a single's title was defiant in 1970: Sly and the Family Stone dared to name an album track "Sex Machine" the year before. Although Brown is essentially singing about dancing, he nevertheless exudes sex, and his equation of the two was a big deal, particularly for gays. In New… read more »