The Payback

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The Payback album cover
Album Information

Total Tracks: 8   Total Length: 73:04

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Douglas Wolk

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Douglas Wolk writes about pop music and comic books for Time, the New York Times, Rolling Stone, Wired and elsewhere. He's the author of Reading Comics: How Gra...more »

11.23.10
James Brown stretches out and turns it loose
1992 | Label: Universal Motown Records Group

Only a few years earlier, James Brown had been trying to cram his songs onto three-minute singles; his studio albums were generally slapdash hits-plus-filler. But he was an improviser at heart, and the early '70s band led by Fred Wesley was particularly adept at letting him stretch out and do his thing. Originally released as a double-LP, The Payback is the most expansive of his classic period's albums: eight tracks, only one of them under seven minutes long, none of them possible to mistake for anything anyone else in R&B was doing in 1974. The title track, a growling stomp on which Brown vows revenge, became one of his biggest hits; the wah-wah shuffle "Stone to the Bone" was a substantial hit too. There are some terrific lesser-known cuts here, as well, especially the twelve-minute, one-chord workout "Mind Power" and Brown's organ showcase "Shoot Your Shot" (basically an expanded fantasia on the bridge from "Sex Machine").

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They Say All Music Guide

Originally released in 1973 as a sprawling two-LP set, The Payback was one of James Brown’s most ambitious albums of the 1970′s, and also one of his best, with Brown and his band (which in 1974 still included Fred Wesley, Maceo Parker, St. Clair Pinckney, Jimmy Nolen and Jabo Starks) relentlessly exploring the outer possibilities of the James Brown groove. Stretching eight cuts out over the space of nearly 73 minutes, The Payback is long on extended rhythmic jamming, and by this time Brown and his band had become such a potent and nearly telepathic combination that the musicians were able pull out lengthy solos while still maintaining some of the most hypnotic funk to be found anywhere, and on the album’s best songs — the jazzy “Time Is Running Out Fast”, the relentless “Shoot Your Shot”, the tight-wound “Mind Power”, and the bitter revenge fantasy of the title cut — the tough, sinuous rhythms and the precise interplay between the players is nothing short of a wonder to behold. And even the album’s lower-key cuts (such as the lovelorn “Doing The Best That I Can” and “Forever Suffering”) sink their hooks into the listener and pull you in; quite simply, this is remarkable stuff, and even Brown’s attempts at lyrical relevance (which were frankly getting a bit shaky at this point in his career) are firmly rooted enough to sound convincing. The Payback turned out to be one of James Brown’s last inarguably great albums before he hit a long fallow streak in the mid-to-late 70′s, but no one listening to this set would ever imagine that this was the work of an artist (or a band) about to run out of gas. – Mark Deming

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