Off White

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Off White album cover
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Total Tracks: 14   Total Length: 74:54

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Barry Walters

eMusic Contributor

04.22.11
The herky, jerky saxman goes "disco."
2004 | Label: ZE Records / The Orchard

Recorded in the wake of Buy with most of the Contortions (the bass player is different) as well as guest musicians such as Bob Quine of Richard Hell & the Voidoids, this is Chance's "disco" incarnation, a side project that became his main focus when the Contortions broke up shortly after this and Buy were released. It's slightly looser, somewhat slower, more instrumental and only genuinely disco in the August Darnell-produced remake of "Contort Yourself" — and even then it's not exactly Donna Summer material. Elsewhere, Chance plays out his role of being a cerebral white guy contriving an extremely physical bastardization of black music. His girlfriend Anya Philips (who died of cancer two years later) and keyboardist Adele Bertei debate his success as a postmodern minstrel in "Almost Black Pt. 1" with hilarious results: "He don't have roots." "Yeah, well he's proud of it."

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The only decent recording he made

kirkmc1

James Chance/White was a one-hit musician, but on this album, he managed to get a number of good musicians to back him up, especially Bob Quine, whose guitar gives this a unique sound. When he played live, though - at least most of the time - he had second-rate musicians around hem, and his performances seemed like he was a cover band. He contorted himself at the right time, but that wasn't enough; he wasn't a very good sax player, and essentially repeated the same dissonant riffs on every song. This album does bring back memories - I saw him perform live in NYC several times back then - but it's a dead end.

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White boy is crazy!!!

Needlz

If you want to know where !!! ripped off their sound, look here. This is gold. All gold. Honkypunksaxofreakycokedisco. Yeah, son, get with this.

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