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Jazz, Folk Songs, Spirituals, & Blues

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Jazz, Folk Songs, Spirituals, & Blues album cover
01
Take This Hammer
4:44
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02
Linin' Track
1:41
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03
I'm Going To Meet My Loving Mother
4:15
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04
Tiger Rag
2:45
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05
Memphis Boogie
3:25
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06
Raise A Ruckus
2:29
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07
By And By
3:52
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08
Fingerbuster
3:16
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09
Stagolee
4:30
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10
99 Years
3:32
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11
Hesitation Blues
5:08
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Album Information

Total Tracks: 11   Total Length: 39:37

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Re: Stereo Separation

pigeonfunk

This album was recorded in 1958, long before the invention of the iPod, when most people still used old-fashioned speakers to listen to music. At that time it was very common, especially in jazz recordings, to pan instruments hard to either the left or right, to simulate the sound an actual band might have if it were performing in your living room. Personally, I miss this technique, which has all but disappeared in the modern age. However, it does seem a little strange to utilize the technique for a one-man-band recording.

user avatar

Stereo Separation

drojr

Whoever had the brilliant idea to separate vocals/harmonica and guitar into separate channels (speakers) never heard of headphones, and so probably shouldn't have been an engineer/mixer.

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They Say All Music Guide

Jesse Fuller was among the greatest one-man bands in blues history. The title of this 1958 date adequately described the session’s musical width and depth; Fuller handled everything from old spirituals such as “I’m Going to Meet My Loving Mother” to the rollicking “Memphis Boogie” and “Fingerbuster,” and the concluding “Hesitation Blues.” As sole performer, melodic, rhythmic, and performing focus, Fuller’s energy never wanes through the CD’s 11 numbers. He nicely conveys the varying moods, themes, and sentiments, knowing which lyrics to emphasize, when to intensify the pace, and when to lower his voice and let the music make the point. – Ron Wynn

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