Feel

Rate It! Avg: 3.5 (25 ratings)
Feel album cover
Album Information

Total Tracks: 14   Total Length: 39:34

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This one grows on you

EMUSIC-00B0A1C0

This is an exceptional CD, although it doesn't hit you right away. It's very subtle. It takes a while before it sinks in, but when it does you end up listening to it over and over again. This is not only worth a listen, it will climb to the top of your play list and stay there for a very long time.

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one trick pony

criscorph

I downloaded the cd after hearing the samples of the 1st 3 songs, thinking..Hey, this guy wrote a song for Norah Jones, huh. Probably worth my time and $$...Save yourself some downloads, folks. Maybe download track 1. His voice range is severely limited and his vocal style is very limited and his lyrics are reminiscent of songs my kindergartener has made up. The production is great, but the material is second-rate. Better than I could probably do, surely, but life is too short to listen to mediocre music.

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A very good songwriter - a very bad singer

inchkachka

Jesse Harris is still -- sadly for him -- best known as the guy who wrote some fantastic Norah Jones tunes. There's a reason for that; his song "I've Got to See You Again" on Come Away With Me is one of the most interesting tango rhythm songs I've heard, and Norah's voice made it something I can listen to a thousand times. The problem with Jesse Harris as a singer/songwriter is definitely the singer part. He has no voice. If he'd team up with Amaral or someone else with great pipes and no taste, he could have another classic album. In the meantime, try "The Wind" and see if you can tolerate his voice long enough to appreciate the well-crafted music.

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They Say All Music Guide

Jesse Harris’ seventh album, Feel, arrived at a major moment in his career: less than a month after its release, the soundtrack to The Hottest State, the Ethan Hawke film for which he wrote all the music, also came out. Because the soundtrack included performances by such notables as Emmylou Harris, Feist, Willie Nelson, and Bright Eyes, it solidified Harris’ reputation as a songwriting it-boy. But if Feel had secured the kind of attention The Hottest State or that other noteworthy album Harris wrote a lot of songs for — Norah Jones’ Come Away with Me — on its own, no further solidification of it-ness would have been necessary. The songs on Feel coax you into doing just that, and fully; a little thinking might happen along the way, too. As a performer, Harris, who comes off as a faded-jeans, neurosis-free kind of guy, is intimate, though not always in the quiet way usually associated with the word. And musically, he blends folk, rock, jazz, and world rhythms into a sophisticated but familiar-sounding brew. Highlights on a record that will be remembered for its light touch and unerringly human lyrics include the rousing title track, the elegant “You and Me,” and the playful “Walk On.” – Tammy La Gorce

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