eMusic Review 0
Hendrix closed the legendary festival early on Monday morning, and his version of the "Star Spangled Banner," witnessed by the bedraggled survivors of this epochal '60s tribal gathering, contained all the exalted contradictions, battered idealisms, and elegiac wish fulfillments of a tumultuous and divisive decade. At this moment in time, Jimi himself seemed caught on the horns of the '60s urge for confrontation, a black man in a white world, an entertainer who too often felt confined by a role he was forced to play, that indeed, he had helped invent. Did the audience come to hear him play music, or the caricature of a wild man guitar arsonist? The band he brought to Woodstock was a work-in-progress. Hendrix was not overtly political, but he aspired to be multi-cultural, and Gypsy Sun and Rainbows, the moniker of this hastily assembled "big band" (the Experience had played its last show only a month and a half before, though Mitchell remained behind the drum kit) reflected his quest to broaden his music. He brought in a pair of percussionists, called upon an old Army buddy, Billy Cox, to play bass, and added a second guitarist, Larry Lee, whom he had met back… read more »