Fly Away Little Bird

Rate It! Avg: 4.5 (14 ratings)
Fly Away Little Bird album cover
Album Information
EDITOR'S PICK

Total Tracks: 14   Total Length: 76:36

Write a Review 1 Member Review

Please register before you review a release. Register

user avatar

Trio Jazz to Die For

blues_hound

Clarinetist and soprano saxist Giuffre, pianist Bley and bassist Swallow may be critical darlings but they will never be popular superstars. I say that as the highest of compliments. Their delicate music demands attention and may confound the less discerning casual jazz fan. On this excellent CD, all three artists manage to bring out the best in each other. Paul Bley by himself can be rather dry and forbidding but here he plays well against the romantically soaring sounds of Giuffre. Swallow is one of the most fluid bassists. On the solo, "Fits" I did a double-take as I mistakened Swallow's linear bass lines for that of a guitar. My favorite track is "I Can't Get Started". The three take a jazz standard and systematically break it into a wonder of abtract musical ideas. But please don't mistake this album for avant-garde. This is quite beautiful and accessible music if you just take the time to listen.

Recommended Albums

They Say All Music Guide

Why aren’t there more recordings like Fly Away Little Bird? Perhaps it’s because there aren’t more musicians of this stature. The studio reunion of the legendarily experimental Jimmy Giuffre 3 in 1992 was reissued in 2003 on the French Sunnyside label and is a radical departure from anything the trio had done in the past. These studio apparitions of the band are their most seamlessly accessible while being wildly exploratory. In addition to the consummate improvisations and compositions by Giuffre (title track, a redone “Tumbleweed”), the tender meditations by Steve Swallow (“Fits” and “Starts”), and the bottom-register contrapuntal improves by Paul Bley (“Qualude”), this is a trio recording that uses standards such as “Lover Man,” a radically and gorgeously reworked “I Can’t Get Started,” “Sweet and Lovely,” and “All the Things You Are” to state hidden textural possibilities inside chromatic harmony. There is never the notion of restraint in the slow, easy, and proactive way these compositions are approached. Rather, they are traced along spectral melodic frameworks and opened up from the space provided by not having a drummer, allowing for tonal exploration and group interaction to meet in the center of a composition and grow it out to all three sides of a triangle. The moving emotions that swirl around inside these (mostly) light melodies are the most captivating and aesthetically beautiful this group has ever committed to tape. Here is a stellar display of the intricacies of musical communication as it happens and how achingly beautiful a record can be when three men listen carefully to one another’s secret hearts. – Thom Jurek

more »