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Feeling Good

Rate It! Avg: 4.5 (12 ratings)
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Feeling Good album cover
01
Feeling Good
4:04
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02
End of the Line
3:29
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03
But Beautiful
3:54
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04
Rio De Janeiro Blue
5:07
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05
Lovetown
4:27
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06
See Line Woman
4:58
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07
Tell Me More and More and Then Some
2:58
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08
Everybody's Talking
3:54
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09
When I Need You
4:14
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10
Save Your Love For Me
3:22
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11
Last Night at Danceland
4:16
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12
All Night Long
5:21
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13
Mr. Ugly
3:18
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Album Information

Total Tracks: 13   Total Length: 53:22

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Feeling Good / The Song Lives On

Sounds

For me, these two albums are Joe's best. His work with Layla Hathaway and Randy Crawford are discs you want in your collection. These two ladies' beautiful voices combined with Joe's piano are great combinations. I've been a fan of The Crusaders and each member in their solo work. The music world lost two more musical greats this year: Wayne Henderson back in April and Joe this month (Sept. 2014).

They Say All Music Guide

After a quarter of a century in the Warner Bros. camp and five years on the recording sidelines, Randy Crawford drew a circle back to the beginning, reuniting with keyboardist Joe Sample. In turn, the old Crusader put together a genuinely distinguished rhythm section, bassist Christian McBride and drummer Steve Gadd, and called upon Tommy LiPuma to produce the disc. That combination ought to guarantee a certain floor of competence from the get-go — and it’s great to report that this disc always rises above it, sometimes considerably above it. By this time, both Crawford and Sample were established veterans — and the music they make here seems to come so easily from within, with only minimal backing and nothing getting in their way. Gadd puts out a propulsive beat on brushes that pushes the title track along just fine — and his work on “See Line Woman” and “Last Night at Danceland” generates something resembling the irresistible Crusaders groove, giving Sample something to trip lightly and soulfully through. Every track seems to change style with a smooth movement of the clutch — the slinky R&B funk of “Lovetown,” the gentle Latin beat of “Rio de Janeiro Blue,” the pure mainstream piano trio jazz of “But Beautiful,” the heavy blues atmosphere of “Tell Me More and More and Then Some,” a trip back to the 1960s’ Top 40 with “Everybody’s Talking” (dig Randy’s fervent high note that Harry Nilsson once hit in falsetto). A very gratifying release — considering how tempting it would have been to crank this out on autopilot. – Richard S. Ginell

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